Salim Amin, son and only child of Mohamed "Mo" Amin, undertakes a journey of recollection and reflection into the life of the frequently absent, globe-trotting father he loved, revered and feared. In his late teens, Mohamed Amin abandons his studies to pursue a career in photography which, over the course of thirty years, will turn him into a front-line cameraman extraordinaire - and, arguably, the most renowned photojournalist of his era. Training his candid lens across continents, Mo Amin's thirst for breaking news puts him repeatedly in harm's way - enduring weeks of torture, automatic arms fire, explosives and, ultimately, the amputation of his left arm - to become one of the most decorated news camera-man of all time. The documentary depicts Mo as an unbending, unforgiving and unapologetically rambunctious paterfamilias whose hunger for "the story" propels him to ever greater professional heights - often at the expense of those he cherishes.

To mark the twentieth anniversary of "Around the World in 80 Days" we went back to Dubai and India to retrace our steps and to see if we could find any of the crew of Al Shama. The result was a one-hour documentary and an account of our return and a whole stack of new pictures. Now they join all my other traveller's tales.

Documentary film, without commentary, looking at events in Sheffield on 5th September 1973. Steelworkers retire, babies are born, there are fashion shows and council meetings, crashed lorries and policemen on the beat.

Portrait of a fractious Welsh village near Merthyr Tydfil. Life in the valley isn't what it was, there's no pit in Deri now, but the humour survives, and it's amazingly peaceful considering.

A documentary portrait of one of Belfast's 300 firemen. For five years Leading Fireman Dynes and the Brigade have carried out their duties in a city at war. This film was shot during a fairly quiet week - by Belfast standards. Brian Dynes, married with four children, lives in a small Protestant enclave in the Catholic Ardoyne. Even when he is at home, the shooting in the adjoining streets is a reminder that at no time can he or his family feel truly safe. When he is at the Fire Station, Brian Dynes faces unprecedented dangers. As an everyday event he may have to cope with booby traps and explosions, with physical threats from capricious mobs, and from crossfire between terrorists and the Army. It is a job in which, as Dynes says, 'humanity rises above religion or creed or class.' (BBC Genome)