
Acting
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In post–civil war Spain, 10-year-old Ofelia moves with her pregnant mother to live under the control of her cruel stepfather. Drawn into a mysterious labyrinth, she meets a faun who reveals that she may be a lost princess from an underground kingdom. To return to her true father, she must complete a series of surreal and perilous tasks that blur the line between reality and fantasy.


The film raises the contrast between the plain corrupted (the Low) and uncontaminated mountain (High Land). The protagonist, Manelic, a simple, primitive, Marta wants to marry a girl from the Low Country that until then had been forced to be intimate with his master, Sebastian.

Sabaté lives in exile in France, but since the end of the Spanish Civil War he has never stopped making forays into Spain in an attempt to overthrow fascism in the only way he knows and considers effective: direct action. This journey, structured like a road-movie with a hint of western, highlights the fears of four characters and Sabaté, their past, their regrets and questions about their cause and the violence, uncovering the ghosts of the past of all these characters in a fast-paced adventure where both sides show that they are fine adversaries.

Winter of 1943. Andorra, a small country in the Pyrenees. In the tense calm of a borderland, where echoes of a nearby war reach the ears of the local inhabitants, Antonio and Sara, a young, married couple, are expecting their first child. No one knows exactly what is going on, nor what is being fought over, the priority is just to survive another day. When a family of Jews fleeing Nazi persecution arrives in the valley, the locals will find their lives disrupted and filled with a sense of fear and unease. Sara will have to face her own contradictions and decide whether to follow her head... or her conscience. The past, along with all the secrets that have remained buried under the snow for so many years, are about to surface. The burning cold has reached the mountains.

Spanish drama about anti-immigrant racism and family problems. Berta is a single nurse raising her deceased sister's three teenage children in a Spanish port city. The two boys are neo-Nazis with a flaming hatred for African immigrants, and the girl has a boyfriend who runs an underground business smuggling illegal aliens from Africa. Into this time bomb comes a cop, Eduardo, who is investigating the vicious assault of a black man. He and Berta fall for each other and make tigerish love in scenes that are much hotter than you might expect from middle-aged actors.

Childhood friends reunite later in life in Spanish tuberculosis sanitorium. Pressures of death all around combine with dark secrets of their past.

Gregorio is a Tupamaro exiled in Spain who has returned to Uruguay. He has not yet revealed his secret: on the site where today he intends to build a house for his family there are buried weapons and ammunition from his guerrilla past.

In the harsh post-war years' Catalan countryside, Andreu, a child that belongs to the losing side, finds the corpses of a man and his son in the forest. The authorities want his father to be made responsible of the deaths, but Andreu tries to help his father by finding out who truly killed them. In this search, Andreu develops a moral consciousness against a world of adults fed by lies. In order to survive, he betrays his own roots and ends up finding out the monster that lives within him.

Joan, a sullen old peasant tired of being robbed, decides to join the peasant patrol that watches over the fields. His son Pepe, who has just returned from the city, accompanies him. During the nightly patrol Joan and Pepe come across a thief.
