The story of a small and conservative West-Flemish village opposing the construction of a bridge over the Scheldt.

In 1833, when the fledgling Belgian kingdom still fears a Dutch invasion, recruits were selected annually from an age cohort by a draw of lots in each locality. In this grim, then contemporary drama by the 'father of Flemish literature', Hendrik Conscience, Jan Braems, a poor and naive farmers-boy, accepts the not uncommon offer by a rich family to sell his lucky ticket (out) to their son for a hefty sum compared to the miserable labor wages at the time. Army life is even harsher then a farmhand's, especially for a Dutch-speaking an-alphabet who simply can't understand his francophone superiors, and Jan's nature is not complacent enough for military discipline even by todays standards, so he soon gets into all kinds of trouble, including gambling his capital away and a venereal disease. When his girlfriend back home goes looking for him, her life is doomed as well.

Octave Verbrugge, a powerful Belgian building contractor, met Hugo Saint-Laurent, a brilliant French engineer, during a business trip and made friends with him. Now that his bureau of expertise is experiencing difficulties with one of their important projects he has the idea to hire his friend to help resolve the problem. Hugo agrees and stays as a guest at Octave's home in Ghent, where the promoter lives with his two unmarried sisters, Françoise, a beautiful but mysterious woman, and Aurélie, a very strict and withdrawn lady.

Burdened with debt trauma, Mermans is murdered as the wife of Dingenen, a tired, unemployed man in his forties. All suspicions fall on him, but ultimately everything works out in this film adaptation of Aster Berkhof's novel of the same name.

1989. Hugo (Michael Pas) is in his first master's year economics. At the same time he is training for the 110 meter hurdles. And he has another sport: chasing girls. But when his latest catch (Antje De Boeck) suddenly disappears, he's obsessively starts looking for her. She seems to have ended up in an idyllic, utopian countryhouse.

Documentary on Belgian director of greek descent Jean Daskalidès.