Dedicated Dutch graphic designer Piet Schreuders visits Los Angeles to investigate all kinds of typeface as used in title-credits for movies and TV-series, letters on billboards, shop-windows or street-signs, the banner-headlines of The Los Angeles Times, and climbs finally to the giant letters of the HOLLYWOOD-sign. In the meantime he discovers, to his great satisfaction, the location and stairs where Stan Laurel and Oliver Hardy shot their movie 'The Musicbox', by combining street-signs, partially shown on still-pictures of this movie: "…MONTE" and "…ENDOME", which turn out to be found on the street corner of Del Monte and Vendome in Culver City. This documentary is bluntly intercut with commercials, a phenomenon not yet known in the Netherlands in 1979. (Theo Uittenbogaard)

Directed by Roelof Kiers for Dutch television, this documentary follows Frank Zappa at home and during the making of 200 Motels. Combining interviews with backstage and on-set footage, the film captures Zappa discussing the project while documenting performers and collaborators involved in the production.

Produced for Dutch television and directed by Roelof Kiers, this documentary offers an observational portrait of musician and composer Frank Zappa in the early 1970s. Filmed at Zappa’s home and during rehearsals and performances with the Mothers of Invention, the program combines interviews, backstage scenes, and concert footage recorded at the Fillmore West featuring Mark Volman and Howard Kaylan. Alongside performances and informal conversations, Zappa reflects on his musical influences, creative methods, and views on American culture and politics while working on projects such as 200 Motels.

Dutch filmmaker Roelof Kiers documents a reunion of the 509th Composite Group, the U.S. Army Air Forces unit that carried out the atomic bombing of Hiroshima. Through interviews and observational footage, the film explores how former crew members recall their participation in the mission and reflect on the beginning of the nuclear age.

Dutch filmmaker Roelof Kiers documents a reunion of the 509th Composite Group, the U.S. Army Air Forces unit that carried out the atomic bombing of Hiroshima. Through interviews and observational footage, the film explores how former crew members recall their participation in the mission and reflect on the beginning of the nuclear age.