A recurring nightmare immerses the filmmaker into a visual research in the first person. Beginning with the 1955 bombing of Buenos Aires, the film elaborates a disturbing essay about violence. Combining a variety of different materials the director follows a line of thought that starts with his grandparents at World Wars I and II, and passes through Vietnam and the atomic weapons, reflecting about the kind of world we make for ourselves and for coming generations.

Florencia “Hana” Ciliberti converses with her contemporaries at her workshops. From closeness and humor, she builds a narrative about music in visual art in Argentina, alternating testimonies, music videos, performances and archive material.