In Pasolini's vision, Euripides' Medea becomes an emblem of the Third World deceived and exploited by the pragmatic rationality of the West (Jason). The sequences of human sacrifice, shot in Turkey, are among the highest and cruelest in Pasolini's cinema. Maria Callas in her only film role, is a lunar goddess of revenge.

Documentary about a lost sequence from Pier Paolo Pasolini's 1971 film "The Decameron".

Documentary about the making of Pier Paolo Pasolini's The Canterbury Tales (1972), and particularly focusing on the many edits and cut scenes that were made before the film's release.

Documentary about a lost sequence from Pier Paolo Pasolini's 1971 film "The Decameron".

Documentary about the making of Pier Paolo Pasolini's The Canterbury Tales (1972), and particularly focusing on the many edits and cut scenes that were made before the film's release.