
Acting
From Wikipedia, the free encyclopedia. Robert Urquhart (16 October 1921 – 21 March 1995) was a Scottish character actor who mainly worked in British television during his career. He was born in Ullapool, Scotland on 16 October 1921, educated at George Heriot's School in Edinburgh and made his stage debut in 1947. He starred in many shows of the detective/special-agent type, such as Department S, Callan, The Professionals, Man in a Suitcase, The Avengers, and opposite Patrick McGoohan in the 1965 episode of Danger Man titled "English Lady Takes Lodgers". He also played the lead role in Jango, a short lived 1961 production by Associated Rediffusion His first film role was in 1952 in You're Only Young Twice. He died in Edinburgh on 21 March 1995. Description above from the Wikipedia article Robert Urquhart (actor), licensed under CC-BY-SA,full list of contributors on Wikipedia.

Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.

Baron Victor Frankenstein has discovered life's secret and unleashed a blood-curdling chain of events resulting from his creation: a cursed creature with a horrid face — and a tendency to kill.

Two lads in Edinburgh embark on a non-violent spree of robberies. They dress up in clown masks and act as modern highwaymen, robbing coach loads of tourists in the highlands. In the process they become folk heroes to the locals.

Norman Puckle, a well-meaning but clumsy grocer's assistant, can't seem to do anything right. After being rejected by Marlene, the love of his life, he attempts suicide, but can't even do that. He is saved from jumping off a cliff at 'Lover's Leap' by a Royal Navy petty officer. He persuades Puckle to join the Royal Navy, where he'll meet 'lots of girls'. Life in the Navy proves not to be as rosy as it's been described, and Puckle fails at every task during basic training. But despite this, he's regarded by the Admiral in charge of a rocket project to be a 'typical average British sailor', and chosen to be the first man to fly into outer space in an experimental rocket.

While sailing lawfully up the Yangste in 1949, the British warship Amethyst found its return to the open sea blocked by Communist Chinese shore batteries that unexpectedly opened fire. In charge, Lietenant Commander Kerans was not however prepared for his crew and his ship to remain as a hostage for the Chinese to use as an international pawn.

A group of inmates escape from Dartmoor prison. They hide out in the English country side but are doggedly chased by police.

Summer, 1948. 14-year-old Alan has just three wishes: that there will be lasting peace, that England will win the Ashes, and that he will finally kiss classmate Ann. So when he's cast opposite her in a play that requires a kiss and England seem to be doing well in cricket, life couldn't be better.

When a Polish sailor jumps ship in Britain, a couple of local intelligence operatives keep him under surveillance. Soon, he’s recruited to infiltrate a missile installation outside of East Berlin and bring back photos of the new rockets.

A British Corporal in France finds himself responsible for the lives of his men when their officer is killed. He has to get them back to Britain somehow. Meanwhile, British civilians are being dragged into the war with Operation Dynamo, the scheme to get the French and British forces back from the Dunkirk beaches. Some come forward to help, others were less willing.

In Torre del Lago, by Lake Massaciuccoli, Puccini is writing "The Girl of the Golden West" when his wife Elvira accuses him of a dalliance with their maid, Doria Manfredi, a young women from town. Although the maestro is frequently unfaithful, he denies the affair; Elvira insists she's right and publicly hounds Doria. Between scenes in this domestic drama that turns tragic, we watch a Scottish company rehearse and stage "Turandot," Puccini's last opera. The film finds parallels between the two stories and suggests that in the opera, Puccini expresses love for his wife and guilt in Doria's fate. Three local gentlemen provide a spoken chorus as Puccini's score plays throughout.


