
Acting
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Sani, a boy in puberty, and his elder brother Amir spend their summer holidays as usual in Slovenia to visit his uncle and his wife. The summer is beautiful, long and hot. Sani enjoys meeting new people, he likes the girls and the carefree fun. However, he does not realize that this is more than a vacation, namely, that he would stay in Slovenia. When he finds out about these plans that his relatives made for his life Sani is distressed and shocked. Under the pressure of these new and unexpected circumstances, his puberty turns into a wild chase.

A young social worker gets her first independent case. But his solution won't be as easy as we'd like...

Set in socialist Yugoslavia in 1986, a humble and diligent factory worker falls into a 10-year shock right at his working place. He wakes up from coma in hospital in 1996 capitalist Slovenia, only to find out that he's left without job as being redundant.

A security officer tracks down the Gypsy girl who can identify an American diplomat's killer.

Relations between the students and the new teacher of German are extremely tense. When one female student commits suicide, her schoolmates blame the teacher for her death. An awareness that things are not quite so black and white comes too late.

The year is 37 BC. A young Liburnian Volsus is taken by a Roman unit to help in what at first seems a simple task of collecting taxes, but the encounters with local Illyrian tribes soon lead to unexpected turns of events, as they show more resilience to subjugation than meets the eye. We see their archaic, emotional world of quaint and brutal laws and traditions through the eyes of this youngster, regarded by the Romans as a primitive barbarian, and gradually come to understand that their world is not all that different from our own.

Lucian (13) would like to fit in. He doesn’t want to be ridiculed, so he decides to go skiing for sports day even though he can’t ski at all. One lie leads to another, and finally to a flurry of untruths that put Lucian in an unbearable situation he can’t escape from.

Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.

Duša is a young dancer and dance instructor. Torn between a dominant mother, an absent father and a married lover, she is sinking into a typical crisis of the thirties, which gets worse when she starts suspecting that someone has been following her and invading her privacy.
Three mutually intertwined stories from the present time are reflecting, complementing or contradicting one another. Throughout the film, the naked parts of a wounded humaneness are shown with a gentle irony. Baker Blaž is driven mad by alcohol and monsters of the hot summer days.
