In this dystopian-musical-comedy, corporations and self-appointed guardians of "decency" and "morality" have society in a fascist choke-hold. It's up to a rag-tag group of actors, artists, and musicians to save the world the only way they know how - through the power of - wait for it - Performance Art! Led by the legendary Existo, his faithful sidekick Maxine, provocateur Marcel, and Vigo, this troupe of subversive insurgents have the Religio-Capitalist Complex in their cross-hairs. But the powers-that-be know Existo's weak spot - his ravenous libido - and seek to exploit it to derail the Revolution with a secret weapon - a curly-haired corporate-pop singer named Penelope.

Widowed, alcoholic cop teams up with an old private detective to catch a laughing serial killer who rides Harleys.

Charles and Deborah act just like any normal suburban couple would, they have a daughter who they love dearly, they fight over everything, but they also generally love each other. The only difference is they kill, maim, and torture people.