
Acting
Born on January 19, 1928, in Dol‑de‑Bretagne, Robert Deslandes grew up in Brittany before moving to Paris, where he developed an early passion for the theatre. After working at Citroën and completing his military service, he decided to train seriously as an actor by studying under Henri Bosc. From the 1950s onward, he multiplied stage experiences, performing in operettas, comedies, and dramas while also working as a stage manager and assistant director. His theatrical career led him to collaborate with major figures such as Jean Anouilh, Marcel Aymé, Pierre Mondy, and François Périer, with whom he formed a lasting friendship. In cinema, he appeared in many popular films from the 1960s to the 1980s, including Weekend at Zuydcoote, The Sunday of Life, Le Bar du téléphone, and The Man with Silver Eyes, often in discreet yet solid supporting roles. He also acted in nearly thirty television films and series, including several historical productions.

After serving his sentence, a robber returns to his small, quiet hometown to retrieve the loot. But a ruthless Police inspector and his equally nasty young subordinate are after the criminal.

Rival brother and sister Gaëtan and Chantal, the last heirs of the late billionaire financier Omar Porassis, use every trick in the book to try and claim his fabulous inheritance when two of Omar's natural sons, Roger and Marc, are found. The brother and sister try to manipulate Marc and Roger into stealing their inheritance. After discovering the deception, the two half-brothers join forces to escape the many traps set by Gaëtan and Chantal, who try to eliminate them by any means necessary.

Emile Magis, a modest employee, more or less ostracized by the others, would like only one thing, to be happy. Little by little he realizes that life in society is a matter of convention, lies and deception. When he has understood that cynicism rules the world, he decides to play by its untold rules and to take his revenge.



In June 1940, during the Dunkirk evacuation of Allied troops to England, French sergeant Julien Maillat and his men debate whether to evacuate to Britain or stay and fight the German troops that are closing-in from all directions.

After five years in the army, Valentin Brû marry a haberdasher. They move to Paris, where Valentin sells frames, while his wife becomes fortune teller. One day, Valentin replaces her, and predict a terrible event which will happen.

An off-beat, uneven tale about a man intent on suicide and the three people who try to talk him out of it, Pantalaskas stars American Carl Studer in the title role of the morose, would-be suicide. Set in Paris and taking place over an entire night, the story has a complication in that the trio who want to prevent the suicide do not speak the man's language -- he is Lithuanian and speaks no French. So the protagonists comb the underbelly of a nighttime Paris, looking high and low but mostly low for anyone who speaks Lithuanian. Depending mainly on dialogue for its impact, the verbose drama reveals how the protagonists undergo a transformation as the night wears on.

Antoine has raised Sébastien, the son of a friend who was killed in a plane crash. Sébastien is doing his military service and Antoine would like him to marry Nathalie, the girl he grew up with. But Nathalie is in love with an American, and the day Sébastien has a leave, she leaves with her lover.

A recently released safecracker returns to stealing in order to support his family. After several successful thefts, he decides to induct his teenage son into the 'family business'.
