Nonon, a prostitute, has no other career path when her father stops working, and her mother's illness require an expensive surgery.

Amalia SH is a lawyer from the Legal Aid Institute. He visits his best friend, Frans, who is being held for extortion. Frans doesn't want to be defended. Amalia is curious. From the results of his investigation, she found Frans's diary at his parents' house. From the diary it was concluded that Frans had been naughty since childhood, his father had kicked him out for stealing. He then lived a vagrant life, until he was accommodated to become a debt collector in a company. It is in this job that he becomes acquainted with and befriends Bambang and Amalia. Frans secretly loves Amalia but doesn't dare to tell it.

Mrs. Ismail is depressed and blind. Her oldest child dies and the romance of her daughter, Dewi, is opposed by the parents of her boyfriend, Lukman. This happens because Hendry, a Lukman family employee, wants Lukman to marry Rina. Dewi is determined to pay for the education of her younger brother, Johan. Johan later marries Ratih, Hendry’s abandoned daughter. At Ratih’s request, Dewi and her mother live in Johan’s house.

Udin and his friends, Jeki, Ucup, and Inong welcome the new girl, Suri, who suffers from brain cancer. Together they solved various problems ranging from bullying, suicide attempts, and mental stress.

Rafiq, a sheepherder in a village, loves to sing. His voice is always heard in the village and over the farms. This attracts the attention of Santi, a famous singer who is vacationing in the village. When they meet, she sympathises and even falls in love with him.

After a business catastrophe, three friends must live together and serve as homemakers while their wives go back to work to rebuild their finances.

For this sequel to the unexpectedly successful Ratapan Anak Tiri (Lament of a Stepchild), Susy is bullied by her stepmother, who is her father’s third wife. However, her stepsister Umi, who is the biological daughter of her stepmother, always defends her. Reno, her schoolmate, loves Susy but it is not mutual. On one occasion when he eats at her place and makes the floor dirty, Susy is thrown out of the house, when her stepmother slips, knocks her head and is unconscious. Umi joins Susy and they stay over at a friend’s house. Umi misses her father, so both girls separate. The stepmother, who is looking for Umi, comes across Susy on the streets and verbally abuses her. Susy now dares to fight back and challenges her.

Sari plans to give her virginity to her fiancé, Wisnu. The plan is destroyed when Denny and friends rape her. Then they beat Wisnu until he becomes paralysed. Sari plots her revenge. She tortures the rapists one by one until she meets the leader, Denny. Denny has a poor family background and a widow, Thelma, supports him financially. He is finally found in a club where Sari works as a singer. One day Sari receives an invitation from Thelma. Denny is planning to repeat what he did to Sari. Sari manages to resist and takes her revenge. At the same time Wisnu appears and kills Denny. Then Thelma, kills Wisnu. Sari and Thelma end up in court.

Singer Anna Maria Larasati is a widow with one child but after returning from a visit abroad, she regains her popularity back home. One of her fans, Johan, is the son-in-law of a rich man, who is not happy with his marriage and now tries to pursue Anna Maria. But she rejects him and he gets into an accident and is killed. Then Budiman, comforts her and also helps her take care of her son, Boy. Budiman has been attracted to Anna for a long time but when their love starts to bloom, Anna’s chronic disease strikes back. On her deathbed, she asks Budiman to look after Boy.

In a university campus, most of the rich kids are driving sedans, except for the lovely Narti, who rides a rickshaw. Iwan, a friendly and sympathetic guy, rides his motorcycle, and they soon develop an intimate and playful relationship. There are also others such as the shy Hendro, and the disheveled and free-spirited Tari. The drama concerns some conflict between Iwan and his father, and also Narti’s parents’ attitude toward Iwan. The film highlights the young social life on campus and the appeal is in the fresh dialogue, which is sometimes critical.