Story of two con men, Boorman and his younger assistant Laarmans, who are trying to sell companies their non-existing magazine.

Gaston grew up on the fringes of society and interacts with other people as little as possible. Leo, on the other hand, is a very bourgeois person. He lives way above his station, but has a heart of gold. Using forged cheques and unsecured credit cards, he tries to keep up appearances. By a coincidence, Gaston's fate is linked to Leo's.

One day a garage owner finds an atomic bomb that has been lost by an airplane. He hides the bomb and shakes the country when he announces that he will not return the bomb until the production of such weapons of destruction is stopped.

Passers-by are filmed against the background of Antwerp's Central Station. A boy bumps into a girl in the crowd. Eye contact occurs.

The documentary's legacy lies in its unapologetic fusion of agitprop and satire, a signature style of De Hert’s Fugitive Cinema collective. By juxtaposing Mandel’s economic theories with absurd military parades, the film exposes the contradictions of a society preparing for war while its social fabric decays. De Hert employs rapid montage, pop music, and street-level interviews to strip away the facade of state authority.Decades later, Le Filet Américain remains a vital historical document. It captures a specific era of Belgian polarization, marked by economic crises and the rise of the gendarmerie. The metaphor of the meat grinder endures as a powerful critique of how institutional systems compromise individual dignity for corporate profit.

The second movie version, now in color, of Flemish (heimat-)author Ernest Claes' classical novel, titled after the nickname (Dutch 'the White', referring to a blond male) of the main character. The smart but naughty farmhands son's eternal mischief, pranks and disobedience drive his elders (especially teachers, family and father's grumpy employer, a rich farmer, but also neighbors and even the kind curate whose liturgical server he is) and classmates to despair in a time when a boy's punishment was still inevitable, swift and often severe; thus when his mother catches him skinny dipping she takes all his clothes home, forcing him to a long walk of shame, dreading dad's wrath all the way. This version also stresses the story's social and Flamingant aspects.

The second movie version, now in color, of Flemish (heimat-)author Ernest Claes' classical novel, titled after the nickname (Dutch 'the White', referring to a blond male) of the main character. The smart but naughty farmhands son's eternal mischief, pranks and disobedience drive his elders (especially teachers, family and father's grumpy employer, a rich farmer, but also neighbors and even the kind curate whose liturgical server he is) and classmates to despair in a time when a boy's punishment was still inevitable, swift and often severe; thus when his mother catches him skinny dipping she takes all his clothes home, forcing him to a long walk of shame, dreading dad's wrath all the way. This version also stresses the story's social and Flamingant aspects.

Gaston Vandermeerssche is a young, resourceful Flemish action hero of the Belgian resistance during World War II: he coaches surviving allied pilots trough occupied Belgium and France to Spain so they can regain England, each time a dangerous adventure as their poor mastery of local languages and customs add to the ever-present risks of trying to outsmart the Nazi troops and Gestapo agents. After a mess-up in the coordination from London he himself gets caught by the dreaded secret police for ruthless interrogation...

A documentary about cycling and the death of cycling world champion Jean-Pierre Monseré in 1971.

Short animation film about the crusade of a Hebrew figure who is looking for somewhere to lay down his cross.