The story behind Blondie's album Parallel Lines, which sold 16 million copies and captured the spirit of 1970s New York at a time of poverty, crime and an exploding artistic life.

Sixty years & a million records ago, Robert Christgau invented Rock music criticism. Anyone who has ever read or written a Pop music review has been influenced by Christgau, who canonized legends from The Ramones to Public Enemy & infuriated icons from Lou Reed to Billy Joel. Now in his eighties, Bob is still at it—amazingly with the same vigor, wit, concision and craft that has defined his expansive career. But in a world where albums are irrelevant, where print is dead & where algorithms have eclipsed critics we are forced to ask: What happens next—for Bob, but also for all music criticism? Is this the end of something? Is Robert Christgau the last critic?