After his mom leaves him and his little brother, Aaron is forced to help his abusive step-father with his credit card scam. Set in the East Bay Area, California - this surreal coming of age story follows four young people clumsily learning how to interact with the world around them.

A beautiful orphan of mysterious parentage is asked by her adoptive family to help find a husband for their niece, but when two suitors both fall for the orphan girl, the niece instigates a scheme to discredit her in the eyes of her guardians. Based on the novel by Louisa May Alcott.

A man confronts jealously and rage as a love affair falters.

Jess Koster is a young attorney in Los Angeles, who is being stalked by the serial killer she is prosecuting.

Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). In creating these new sequences, Kremer comes to recognize that the exercise effortlessly draws cultural and historical parallels in twentieth-century American life that echo in present-day America. The editorial mashups weave a tangled web of social and cinematic history that root our notions of Americana in the mythology of the desert. As Kremer expounds in his narration on these often astonishing and sometimes shocking associations, his very personal ties to the subject matter become manifest.

Just as sex, drugs, rock & roll, hippies, and Vietnam enter our consciousness, so it does for Ben Sweet, the shy, 18-year-old son of conservative businessman, Sy. Ben enters UC Berkeley in 1966 to avoid the draft, but finds himself smack in the middle of a home-grown revolution.

With David Schickele's dreamy, retro soundscape, CINE MANIFEST captures a resilient group of artists reminiscing about a time when people weren't afraid to fight for their ideals, while also creating a stirring tribute to American independent filmmaking.

Four interlocking stories with a Jazz theme. Four Women go out to visit the sites of the jazz clubs where Lou, 65 and dying of cancer, claims she once performed as a young singer. It's election night, Nov. 8, 2016 and the women follow the results on their cell phones. It's also opening night for the C Flat jazz club where they end the evening up as their worst fears are realized: Trump has won the election.

For Natia, firing bullets at her sister's head and narrowly missing is all in a days work. After taking over the family business, her sharp shooting act is the only thing keeping the declining Orbeliani Circus afloat. When a stranger and his dog drifts into her home town of Batumi, Georgia from the Black Sea, peddling his own act, Natia wonders if a change of fortune is finally on the horizon. As the circus's prospects begin to rise so do suspicions that the stranger is not who he seems. A fateful interaction forces changes upon Natia and she must leave her family to protect them from what she is becoming. Soon, she is traveling to a different city-by-the-bay, San Francisco, where confrontation and opportunity release a violent darkness rooting within her. Fighting against her loneliness and the rules of this new world, she is befriended by a troubled young artist with an innocent soul. Will this tenuous love lead her out of the darkness? Or, are they merely two halves of broken whole?

Frictions develop when Yisroel "Izzy" Jonigkeyt, a Chassidic Jew from Crown Heights, travels to San Francisco to visit Polish-born Catholic friend Marek Wisniewski with the intent of discovering why a Bay Area art-world iconoclast named Harry Kierk seeks to destroy a lifetime's worth of his own work. As the visit progresses, Izzy and Marek discover for the first time that complex historical baggage impinges on their curious friendship and, soon, they begin to understand why Kierk is driven towards destruction. Continued encounters with Marek's vaguely anti-Semitic cousin Irek (who is their only gateway to contact Kierk) only compound these tensions.