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After a tragic accident Luke Gibson is left with critical injuries and complete amnesia. A new technological breakthrough from the Hexx Corporation - a Psi-Comp Implant that's hardwired into Luke's brain - saves his life, but Luke soon finds out that this new technology comes with a price and that the Hexx Corporation harbors sinister plans for the new device.

A Stepmother's Sin is a new XXX cumfest from your favorite studio, NSFW Films, that gives a new meaning to the term "Keeping it all in the Family!" After super MILF, Courtney Taylor literally charms the pants off her new stepdaughter and receives an amazing pussy licking from the adorable teen! Natasha Nice's idea of "Family Time" is getting a good fucking and then a face full of cum from her stepson! Mega MILF, Christina Carter, has a crush on her new stepdaughter Carmen Caliente and convinces the young slut that some pussy eating between the two is a great way to strengthen their family blond! Isabelle Deltore seduces her stepson into filling her every hole with his massive cock!

Angie is a middle-aged drug dealer, who fulfills the masochistic fantasies of young student David. David shares a residence with lonely log company worker Tony. Angie’s roommate Nancy, Angie’s son Ethan and her old mother Abbie are also very lonely and desperate for human communication.

HELL HATH NO FURY is the new film from Creepy Six Films (Vampires vs. Zombies; Human Nature), an independent horror film company based in Vancouver, B.C. Hell Hath No Fury is a balls-out horror anthology that is a bloody and erotic mix of stories in the style of the horror-lit anthologies. The Hot Blood Series and comedic horror shows like Tales form the Crypt. Spiced with liberal -and very gory- doses of wicked inspiration from classic revenge films like Ms. 45, I Spit on Your Grave, Irreversible, and Last House on the Left, Creepy Six Films' Hell Hath No Fury is a funny, sexy, gory, disturbing and exciting ride into an insanely twisted world where the women scorned exact their vengeance like never before.

While driving to Las Vegas for the bachelor party of her sister Melissa and her fiance Bobby, Kayla stops the car at a gas station to meet her date, Nik, a guy she met on the internet. Nik convinces her to take a secondary road under the protest of Bobby but the car breaks down. They find a house in the middle of nowhere and decide to take the car parked in the house's garage to the next city...

A highly-gifted student sees an opportunity to escape her roots by helping wealthy classmates cheat on key exams, but at great risk to her future.

Brooklyn flies home to surprise her boyfriend on his birthday, but immediately changes her mind upon arrival and decides to hide out for the summer with her friend Faith. Faith lives with Casey and with relationship problems of their own, the couple are happy with the distraction...until Brooklyn begins to assert herself, then all of the characters come face to face with the hard realities of their relationships.

The arrival of a mysterious woman with a large sum of cash peaks detective Roddy Tillinghast. His financial woe's motivate him to the center of a cult of deadly femmes who need to put him six feet under.

After inadvertently offending a strange entity that accosts him on his way to work, a 1970s businessman quickly finds himself in the midst if a bizarre predicament.

Seventeen minutes of a gory shoot-out in a diner.

A functioning depressive, Bill Gotts (Casey Manderson) had a completely different vision when he imagined life in his thirties. The opinion columnist attempts to find his way through an early mid life crisis with the help of his over opinionated and equally flawed peers, to eventually conclude that he knows nothing. Though, that revelation may be the best step toward actually discovering something great in life.

A functioning depressive, Bill Gotts (Casey Manderson) had a completely different vision when he imagined life in his thirties. The opinion columnist attempts to find his way through an early mid life crisis with the help of his over opinionated and equally flawed peers, to eventually conclude that he knows nothing. Though, that revelation may be the best step toward actually discovering something great in life.

HELL HATH NO FURY is the new film from Creepy Six Films (Vampires vs. Zombies; Human Nature), an independent horror film company based in Vancouver, B.C. Hell Hath No Fury is a balls-out horror anthology that is a bloody and erotic mix of stories in the style of the horror-lit anthologies. The Hot Blood Series and comedic horror shows like Tales form the Crypt. Spiced with liberal -and very gory- doses of wicked inspiration from classic revenge films like Ms. 45, I Spit on Your Grave, Irreversible, and Last House on the Left, Creepy Six Films' Hell Hath No Fury is a funny, sexy, gory, disturbing and exciting ride into an insanely twisted world where the women scorned exact their vengeance like never before.

HELL HATH NO FURY is the new film from Creepy Six Films (Vampires vs. Zombies; Human Nature), an independent horror film company based in Vancouver, B.C. Hell Hath No Fury is a balls-out horror anthology that is a bloody and erotic mix of stories in the style of the horror-lit anthologies. The Hot Blood Series and comedic horror shows like Tales form the Crypt. Spiced with liberal -and very gory- doses of wicked inspiration from classic revenge films like Ms. 45, I Spit on Your Grave, Irreversible, and Last House on the Left, Creepy Six Films' Hell Hath No Fury is a funny, sexy, gory, disturbing and exciting ride into an insanely twisted world where the women scorned exact their vengeance like never before.

HELL HATH NO FURY is the new film from Creepy Six Films (Vampires vs. Zombies; Human Nature), an independent horror film company based in Vancouver, B.C. Hell Hath No Fury is a balls-out horror anthology that is a bloody and erotic mix of stories in the style of the horror-lit anthologies. The Hot Blood Series and comedic horror shows like Tales form the Crypt. Spiced with liberal -and very gory- doses of wicked inspiration from classic revenge films like Ms. 45, I Spit on Your Grave, Irreversible, and Last House on the Left, Creepy Six Films' Hell Hath No Fury is a funny, sexy, gory, disturbing and exciting ride into an insanely twisted world where the women scorned exact their vengeance like never before.

Five young adults are about to find themselves in a fight for their lives, pitted against evil itself! While on vacation in a foreign city, one of the five makes a seemingly innocent albeit ignorant mistake and soon all of them will realize the cost of such an inconsequential action. A stranger appears to help them, but is this too little, too late?

Jonathan Hale has amnesia. Accused of a heinous act, he's paired with a criminal psychologist to determine if he's fit for trial. But having lost his memory, is he still the same person he was, or can he reinvent himself?

The arrival of a mysterious woman with a large sum of cash peaks detective Roddy Tillinghast. His financial woe's motivate him to the center of a cult of deadly femmes who need to put him six feet under.

The next experience in experimental giallo & film noir, inspired by the sensual and violent world of the Italian giallo film, Glass tells the tale of a young Canadian couple, Mike and Zarana, who decide to cut themselves off from social media and remain in their glass-walled apartment overlooking the waters running through their city. Anxiety, paranoia, violence, and murder follows. Sex, conspiracy and violence explode in GLASS, the second instalment of Vince D'Amato's neo-giallo series. Tirra Dent plays Zarana, a woman consumed by paranoia and rabid nightmares after she finds herself relentlessly stalked by the enigmatic killer. Set in the "glass jungle" of Vancouver's gentrified neighbourhoods, Glass is a scathing critique of social media and the society of middle and lower classes.

A young man is accused of his ex-girlfriend's murder. Before he is formally charged by the police, he sets out on a two-day odyssey to find the real killer: tracking down his leads from the backseat of a rented limousine. This allows him to converse and ponder class, society, life in the city, and to contemplate the dirt that runs in the small nooks and valleys of cosmopolitan life. Mid-way through the film, the style transforms into Brividio Giallo contemporary, wordless operatic imagery of sex and violence.
