When Diana’s husband returns home one night with big news—he has taken on a second wife, and expects Diana to live in harmony with the situation—she does what is least expected and plans to make a life on her terms.

A boy asks his dad about their difference in skin color and eyes.

7 young filmmakers climbed the 7 highest mountains in Indonesia and bring 7 cameras along with them. Experiencing a lot of emotions, meeting new people during the exploration across places, every piece of story show how big, rich, dynamic, and vary.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.