
Acting
Rita Gam (1927-2016) was an American actress who enjoyed a prolific career in film, television, and theater. Born in Pittsburgh, Pennsylvania, Gam developed an interest in the performing arts at a young age and began honing her craft through local productions and drama classes. After graduating from the Carnegie Institute of Technology, Gam made her way to New York City, where she quickly established herself as a rising talent on the Broadway stage. Her captivating performances in plays like "The Constant Wife" and "A Hatful of Rain" earned her critical acclaim and brought her to the attention of Hollywood producers. In 1952, Gam made her film debut in the thriller "Side Street," and went on to appear in a variety of notable movies throughout the 1950s and 1960s. Her striking beauty and intense screen presence made her a natural fit for dramatic and film noir-style roles, and she delivered memorable performances in films such as "Sign of the Pagan," "Saadia," and "The Sharkfighters." Beyond her work in cinema, Gam was also a frequent presence on television, guest-starring in popular shows like "The Fugitive," "The F.B.I.," and "The FBI Story." Her versatility as an actress allowed her to seamlessly transition between mediums, and she maintained a successful and varied career for several decades. Throughout her prolific career, Gam was recognized with numerous accolades, including a Golden Globe nomination for her performance in the 1955 film "Saadia." She was also praised for her dedication to her craft and her ability to bring depth and nuance to even the most minor roles.

A high-priced call girl is forced to depend on a reluctant private eye when she is stalked by a psychopath.

Who is Jesus, and why does he impact all he meets? He is respected and reviled, emulated and accused, beloved, betrayed, and finally crucified. Yet that terrible fate would not be the end of the story.

A chance accident causes a nuclear physicist, who's selling top secret material to the Russians, to fall under FBI scrutiny and go on the run.

Carl the Gardner grows odd plants for a rich Yankee woman Ellen Bennett living in South America while exercising a mental hold over her. All his previous employers died mysteriously.

A US intelligence officer, stationed in Germany, is caught in a political dilemma when the Russians kidnap a young Army private, the son of prominent American businessman. In exchange for the soldier's return, the Russians attempt to barter a trade for an elderly German couple who they want for treason.

Clay Lomax, a bank robber, gets out of jail after an 7 year sentence. He is looking after Sam Foley, the man who betrayed him. Knowing that, Foley hires three men to pay attention of Clay's steps. The things get complicated when Lomax, waiting to receive some money from his ex-lover, gets only the notice of her death and an 7 year old girl, sometimes very annoying, presumed to be his daughter.

Saadia is a wild, strange Arab girl whose life has been dominated by a local sorceress, a vengeful outcast in the community, who has convinced her she has the "evil eye" and brings disaster to all who love her. French doctor Henrik takes her to his clinic, for rehabilitation purposes, and falls in love with her as does his friend, Si Lahssen, the reigning prince of this small Moroccan state. When a plague falls on the town, Saadia is convinced she is responsible, and rides alone into the mountain country to retrieve the plague serum being held for ransom by bandits. The love triangle dominates most of the rest of the film.

Based on the real-life story of American rower Tiff Wood (Colin Ferguson), an athlete determined to realize his goal of winning gold at the 1980 Olympics in Moscow. Wood's dream is shattered when the U.S. boycotts the games, and he must refocus his life towards making the team four years later, with the odds against him.

The Valet enters a hotel room with Joseph Garcin in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano and Estelle Rigault, are then led in; afterwards, the Valet leaves and locks the door. Realising that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories. Adaptation of the play by Jean-Paul Sartre.

Director William Dieterle's 1956 film biography of classical composer Richard Wagner stars Carlos Thompson, Yvonne De Carlo, Rita Gam, Alan Badel and Valentina Cortese.





