After graduating from university, Satoshi Takagi joined the advertising agency he had always dreamed of, and started his working life with great enthusiasm. Satoshi has a boyfriend who is more than a friend but less than a lover, but even when she tries to talk to him about the company, he only wants Satoshi's body and won't listen at all. “Am I just a body?” The distance between him and Satoshi has widened a little. Despite this, Satoshi did his best at work. He was actually starting to be attracted to his boss, Furukawa. However, Furukawa is a straight man who is dating Satoshi's colleague, an office lady. Although it is a dream that cannot come true after all, my feelings for Furukawa, who does his job in a cool manner, grows stronger every day.

Sakurako, a high school teacher, hits one of her students... and that's where Sakurako's downfall begins. She is forced to quit school and has nothing to do. She ends up working at a bar, but ends up being sold to a man to pay off the bar owner's debts. Sakurako's life is driven to hell by the men.

Misaki’s husband Ken’ichi dies in a car accident soon after their marriage. As the first anniversary of his death nears, Misaki is still in mourning for Ken’ichi. Ken’ichi had managed the Sunrise Villa apartments, which his parents have managed after his death. A psychic claims to have received word from Ken’ichi’s spirit that he wants the apartments to be kept running responsibly. Misaki, believing the psychic, takes charge of the apartments, working as the landlady, performing repairs, and responding to the demands of the tenants… However wierd they are…

Two years ago, Anna's father, a detective, was stabbed to death during a scuffle while chasing the molester group "Suika" outside the station, and in order to avenge his death, Anna volunteers to become a policewoman and a groper investigator. She teams up with her late father's partner, Enomoto, who is also wheelchair-bound due to injuries sustained at the time...

Pink film directed by Yutaka Ikejima

Pink film directed by Sakae Nitta.

Sweet as a Peach follows three beautiful women as they compete for one of Japan’s most coveted positions….a spot in “Miss Fruit International” of course!! This is a ruthless competition, and no one is pulling any punches. Miki is our leading lady in this film, and she must keep hidden the deep and dark secrets that would destroy her! The busty and luscious Sakie tries desperately to use her body and sexuality to get what she wants, but will it be enough?!