Tragedy strikes a married couple vacationing in the Moroccan desert, which jumpstarts an interlocking story involving four different families.

An outrageous collection of surreal, short attention span non-sequiturs largely revolving around Guitar Brother, his randy older sibling, and the pair's portly Caucasian brother.

A mysterious package arrives, shape shifting ensues and rescuer is rewarded her kindness

The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job – showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.

A road movie about Yoko, a frustrated part-time worker who hitchhikes to her hometown of Hirosaki, Aomori, where she has not returned for 24 years, after hearing the news of her father's death.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Three women and one man - with an assortment of weaponry - wage war against giant mutant sandwhales in a barren digital landscape, all to achieve points within the virtual reality video game called Avalon.

Mitsuhashi Yukio is a passionate PR man for a sanitary product manufacturer. A single father, he is raising his two children, a daughter in high school and a son in middle school. His daughter, Hana, has mixed feelings about her father, who suddenly became popular on social media because of a menstruation PR video he did for his company. One day, Yukio says on a variety show that he knows his daughter’s menstrual cycle, which leads to Hana running away from home because of rumors popping up at school. Can he fix the relationship with his beloved daughter? How will the two overcome this hurdle?

Youngsters called Kildren, who are destined to live eternally in their adolescence. The Kildren are conscious that every day could be the last, because they fight a war as entertainment, organized and operated by adults. But as they embrace the reality they are faced with, they live their day-to-day lives to the full.

Four segments by four different Directors. Kiriko (Takanori Tsujimoto), The Children’s Samurai (Kenta Fukasaku), The Firing Range (Makoto Tahara), and Assault Girl 2 (Mamoru Oshii). Kiriko: the spirit of a murdered assassin takes revenge on the gang that killed her and her sister. Children's Samurai: an educational film narrates the like of a modern grade-school samurai dealing with bullies. Firing Range: the rifle of a Meiji Era soldier and the pistol of a modern police officer are transformed into powerful new weapons when they face off. Assault Girl 2: two guardian angels duel in a wheat field.