A film by Hirobumi Watanabe.

The band "Techno Brothers" played by Watanabe, brother Watanabe Yuji and pal Kurosaki Takanori, go to find fame and fortune in Tôkyô. It’s more accurate, though, to call it their manager’s plan. Named Himuro, she channels the look and attitude of famed Vogue editor Anna Wintour, from her bobbed hair and ever-present sunglasses to her commanding air and iron will.

The latest unique human drama from Hirobumi and Yuji Watanabe portrays, in black and white and without words, a man who lives with his aging grandmother and works silently in a pigpen.

Born out of every artist’s creative crisis, the search for the next topic, Hirobumi WATANABE presents his latest film, dealing with the question of what his film should be about. The director stages himself as he idles away his days, delivering endless monologs during car rides, sleeping on the floor at his grandma’s house, or philosophizing over video games and the FIFA World Cup.

A normal day for little Riko at home and at school. A vivid snapshot pervaded by the calm flow of reality that creates an authentic sense of wonder.

A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.

What happens when Watanabe meets horror? The eccentric director of instant cult movie "Techno Brothers" plays a director hired by a production company to make a documentary. His task is to spend a week in a haunted house. The approach is comical and offbeat, but as the story progresses, the laughter gives way to fear. Will we end up more scared or amused?