Omnibus by three young directors in the spotlight of Japan’s independent film industry, dealing with the theme of “lost virginity.” Yoshida Koki, whose film {Household X} was an official selection for the Berlin International Film Festival’s Forum, depicts a woman in her thirties losing her virginity. Kazuyo (Masaki Sawa) is a 35-year-old pharmacist living quietly on her own. One day, her interest is piqued by the pseudo-sexual harassment approach of Ryo (Yanagi Shuntaro), a high school youth, and her body gets a taste of sexual desire.

Omnibus by three young directors in the spotlight of Japan’s independent film industry, dealing with the theme of “lost virginity.” Yoshida Koki, whose film {Household X} was an official selection for the Berlin International Film Festival’s Forum, depicts a woman in her thirties losing her virginity. Kazuyo (Masaki Sawa) is a 35-year-old pharmacist living quietly on her own. One day, her interest is piqued by the pseudo-sexual harassment approach of Ryo (Yanagi Shuntaro), a high school youth, and her body gets a taste of sexual desire.

Mr. Takada is a successful mature writer who falls into a creative blockade following the death of her wife. Incapable of finishing the novel his fans demand anxiously, and about to turn seventy, he starts wandering several pubs in the city, until he meets Sayo, a beautiful young waitress with sentimental issues she doesn’t hesitate to share with her clients.

High school student, Yo, lived with her father, Nao, after her mother, Sachiyo, left the family when she was very young. However, their life together came to an end and they started a new life as a family of four with her father's second marriage partner, Miko, and her stepdaughter, four-year-old Hinata. She confides in Riku, who belongs to the same art club as Yo, about her confusion about this new life. Yo, who has been developing curiosity for her biological mother, Sachiyo, promises to go with Riku to Sachiyo's art exhibition.

High school student, Yo, lived with her father, Nao, after her mother, Sachiyo, left the family when she was very young. However, their life together came to an end and they started a new life as a family of four with her father's second marriage partner, Miko, and her stepdaughter, four-year-old Hinata. She confides in Riku, who belongs to the same art club as Yo, about her confusion about this new life. Yo, who has been developing curiosity for her biological mother, Sachiyo, promises to go with Riku to Sachiyo's art exhibition.

The romantic ensemble piece revolves around a filmmaker who wants to stop cheating on his girlfriends, a fan who continues to pine for an idol, and a former idol who goes to meet him, while also contemplating the true meaning of 'proper love.'

The romantic ensemble piece revolves around a filmmaker who wants to stop cheating on his girlfriends, a fan who continues to pine for an idol, and a former idol who goes to meet him, while also contemplating the true meaning of 'proper love.'

Inagaki Goro plays a freelance writer married to his editor wife (Nakamura Yuri), who he discovers is having an affair with the popular novelist she is responsible for at work. Although troubled, he can’t bring himself to confront his wife. He later meets a high school novelist at a literary award ceremony, and–drawn to the award-winning book–he inquires about the model it’s based on, thinking he’d like to meet that person…

Inagaki Goro plays a freelance writer married to his editor wife (Nakamura Yuri), who he discovers is having an affair with the popular novelist she is responsible for at work. Although troubled, he can’t bring himself to confront his wife. He later meets a high school novelist at a literary award ceremony, and–drawn to the award-winning book–he inquires about the model it’s based on, thinking he’d like to meet that person…

An unapologetic former sex worker starts working at a bento stand in a small seaside town, bringing comfort to the lonely souls who come her way.