A recently released prisoner reunites his criminal colleagues to pull off one last heist.

Raymond is a jealous, misanthropic, couch potato. Angèle is a sexy TV star, childish and disillusioned. One Halloween, their mother, Solange, suddenly dies. Raymond calls his sister for the first time in 10 years. She agrees to meet him and begins to investigate their mother's death, all in keeping with her TV role of police commissioner. But nothing is simple with the Marchildons. Between a dithering Raymond, the ghost of Solange who continues to haunt her children, and Angèle who's going crazy interviewing suspects, one more bizarre than the next, and the bodies that are filling up the basement, it's hard to keep their love straight. But then, love was always a little twisted in the Marchildon household.

As John Barrymore reckons with the ravages of his life of excess, he rents an old theatre to rehearse for a backer's audition to raise money for a revival of his 1920 Broadway triumph in Richard III.

When the body of the executive of hockey Benoit Brisset is found on the billboard of the border of Quebec and Ontario, the jurisdiction of the crime is shared between the two police forces and detectives David Bouchard from Montreal and Martin Ward from Toronto are assigned to work together. With totally different styles, attitudes and languages.

During the Christmas holiday season, Félix and Céline find themselves working as volunteers for the drive-home service Opération Nez Rouge. Right from the first, Félix falls for Céline. But Céline doesn't feel the same way: she can't forget the fact that Félix once wrote a scathing review of her first piece of writing, crushing her literary ambitions in the process. Worse, Félix doesn't even remember her name. Céline decides to take her revenge. Just as things seem to be going from bad to worse for Félix, Céline realizes that he is vulnerable, tender... and madly in love with her. She is ready to surrender to love... but a chance encounter causes her to wonder whether Félix isn't playing some twisted love game.

It is the early 20th century. A stranger arrives in the small, rural community and disrupts the lives of its inhabitants. The man, who refuses to give his name, is dubbed The Outlander. A traveller who disdains conventional behaviour and parochialism, The Outlander disturbs the villagers' complacency and scandalizes the community; he also elicits admiration and gains a woman's love. He ultimately leaves in the same manner he had arrived, but not before he has helped the villagers open their eyes to the larger world beyond their village.

As John Barrymore reckons with the ravages of his life of excess, he rents an old theatre to rehearse for a backer's audition to raise money for a revival of his 1920 Broadway triumph in Richard III.

A soldier who was long thought dead in World War 2, returns to modern day New York to combat monsters, who are now the power elite, running the city.

After his loved ones betray him, a man in his 30s goes to a lakeside cabin to hide from the world. But instead of finding peace, he has to deal with a kooky neighbour, a missing drowned man, a crook on the lam, a stripper who hides out with him, and the cop who’s madly in love with her and looking for her with murderous ardour.

After inheriting a pig farm from their father, sisters Stephane and Betty do their best to keep the family business running. But while the very pregnant Betty is diligent about doing the work that needs to be done, Stephane can focus only on her crippling gambling problem, which has landed her in deep trouble with her creditors. Desperate for cash, she considers a dangerous option for repaying the debt … but will it work?