Tom and Malte are best friends; they make music together, DJ in Berlin clubs, dream of a career together, party until they drop, wait tables at a casting service and yet they are very different: Tom struggles with himself, his life and the future. When one day Mavie, Mitsch's "little" sister from Munich, moves into the Berlin flat share, Tom's emotional rollercoaster begins. Daredevil Malte, on the other hand, seems to have his luck in his pocket: Everything he touches succeeds. Tom sees no other way out than to escape: out of the city and into another life. His friends try to stop him, but even they know: Tom has to make this decision himself if he doesn't want to stand in the way of his happiness forever.

World peace is under threat - it's a good thing that instructor Schmidt exists. As a sharpshooter with a cigar, sunglasses and beret, he immediately suspects the terrorist conspiracy lurking behind the peace summit at Schwangau Castle. The aim is to unite the strife-torn Kallushistan. Princess Shirin and the pacifist recruit Rainer assist in the hunt for alleged assassins.

Three actors - Lizzy, Marlon, and Ohboy - navigate city life between rehearsals, nightlife, and alienation. Marlon, new to town, struggles with his role and babysitting. Lizzy chases fame yet finds only transactional glamour in a club. Ohboy, adept yet trapped, drifts comically through urban traps. Linked by rehearsals for “City as Prey,” three episodes chronicle loneliness, friendship, and survival.

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

A queer trans-ethnic movie kiss leads to considerable turmoil.

Magdalena has to wash glasses at her own graduation ball. Rudi, who is in love with her, has to endure the presence of her boyfriend Julian. Julian doesn't have to do anything, but lets his mother look after him. They are united by one wish: To find their own path in life - not an easy task when, firstly, there is no guidance and, secondly, the dear family with all its lived compromises, lost ideals and a good dose of resignation stands in the way.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

15-year-old Moritz lives with his father near East Berlin, helping at his gas station and drifting through life after his girlfriend leaves him. He skips school, hides in a crumbling house, and escapes into music, Game Boy games, and memories of his mother - believed to have died ten years ago. But a chance discovery reveals she’s alive and living in Hamburg. Moritz sets out to confront her and the truth.