Long and Winding Road is a feature documentary filmed over 2 years, including the 2018 & 2019 Independent Venue Week celebrations. Featuring Philip Selway ( Radiohead), the film takes you on a very special journey into independent live music venues across the UK, meeting those who run, work & play in them.

Iconic singer/songwriter Richard Hawley recorded live at the beautiful Piece Hall in Halifax on Saturday 4 September 2021.

Pulp found fame on the world stage in the 1990s with anthems including ‘Common People’ and ‘Disco 2000’. 25 years (and 10 million album sales) later, they return to Sheffield for their last UK concert. In addition to performing, band members share their thoughts on fame, love, mortality — and car maintenance.

A comedian uses her troubled past as material for her stand-up routine, trying to rise up through the comedy circuit by playing Northern England's working men's clubs.

Last Shop Standing, inspired by the book of the same name by Graham Jones, takes you behind the counter to discover why nearly 2000 record shops have already disappeared across the UK. The film charts the rapid rise of record shops in the 1960's, 70's and 80's, the influence of the chart, the underhand deals, the demise of vinyl and rise of the CD as well as new technologies. Where did it all go wrong? Why were 3 shops a week closing? Will we be left with no record shops with the continuing rise of downloading? Hear from over 20 record shop owners and music industry leaders as well as musicians including Paul Weller, Johnny Marr, Norman Cook, Billy Bragg, Nerina Pallot, Richard Hawley and Clint Boon as they all tell us how the shops became and still are a part of their own musical education, a place to cherish and discover new bands and new music.

A documentary on the influential musician Scott Walker.

"Do you remember the first time?" asks the big screen on the main stage, just before Pulp arrive. Many up the front were but a twinkle when Sheffield's finest debuted Common People here, back on this day in 1994 – "Who was here?" questions Jarvis. "Who was born?" Not that it appears to dampen anyone's ardour – and who can blame them, because this is an imperious set, ranging from a perfect F.E.E.L.I.N.G C.A.L.L.E.D L.O.V.E to a glorious Misshapes, its line about "The future that they've got mapped out/ Is nothing left to shout about" sounding more contemporary than ever. Jarvis jumps from towering speaker cabinets, lies horizontal for some athletic hip-thrusting during a torrid This Is Hardcore, and dedicates Joyriders to "the rioters", quipping "they weren't rioting, they were just playing Grand Theft Auto outdoors". Honestly, it's hard to imagine how their reformation could have been handled any better.

It’s Glastonbury Festival 1995. The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. Last minute replacements, Pulp, take to the stage to face 80,000 people. They deliver a set ‘regarded as one of the best in the festival’s history’ climaxing with the era-defining song, Common People, and in the process catapult themselves to the forefront of the Britpop movement – an achievement that 12 years earlier seemed like an impossible dream.

Go down to Finsbury Park and witness the legendary "The Park Is Mine"; 1. The Fear 2. Do You Remember The First Time? 3. Dishes 4. Seductive Barry 5. Sorted For E's & Wizz 6. TV Movie 7. A Little Soul 8. Party Hard 9. Help The Aged 10. Sylvia 11. This Is Hardcore 12. Glory Days 13. Common People 14. Laughing Boy 15. Something Changed