Lucia, Giacomo Casanova’s only great love, leaves Italy for Amsterdam after her face has been disfigured by smallpox. Sixteen years later, they meet again when she has reinvented herself as a veiled courtesan. Without revealing her true identity or showing her face, Lucia and Giacomo become lovers once again. Will Lucia dare to reveal herself and turn her weakness into her strength so that she can be truly free in the eyes of her great love?

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

End of the 70s in the Treviso area. Two decisive moments in the lives of three teenagers of the Bottacin family: Primo, Anna and Tiberio. The passage from puberty to pre-adolescence experienced between first loves and rugby matches and that from the world of the countryside to the world of the city.