Cecilia (Eileen Abad) and Beto (Ricardo Bianchi) discover that their love may be marked by a dark secret from their past. Cecilia, a humble, studious, and free-spirited girl, and Beto, a passionate, charismatic, and sensitive young man, meet at a restaurant when she is dressed as a hamburger. From this peculiar and fun encounter, they develop a special connection that eventually transforms into a deep and sincere love. However, their happiness is threatened when speculation about a possible family link between them begins to emerge. At the heart of these speculations are the mysteries and secrets of her parents, Cosme and Carmen. During a visit to Cecilia's house, Beto discovers that her father has another family, which deeply disillusiones him. Frustrated and confused, he decides to distance himself from his young love.

First Shoert film of Tuki Jencquel

The eternal dilemma of the creator and his relationships with the state, patronage, and society comprise this Ludovician triptych. The creator establishes a loving and committed relationship with his work. A relationship of obscurities pierced into the illuminated spaces of his conscience, which, beyond his creation, is enmeshed in all the vicissitudes of public life, in his constant appearance to exhibit himself and his work, another inescapable trap.

Proud television reporter Amanda Herrera lives through the desperate and crazy bolero when, just before Valentine's Day, she is abandoned by Felipe, her married lover, who is finally going to be a father and wants to give his marriage to Dalila a new chance.