A man wakes in a hospital with no memory, and quickly finds himself on the run in a locked down hospital with the Cartel on his tail.

In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.

Haunted by memories as a child soldier in 1980s Iran, Behrouz finds himself in bustling, neon-soaked Los Angeles, working to become a real estate agent and live a simple life with his girlfriend Oksana. But Behrouz’s attempts at a normal life become increasingly difficult as his opium addiction and gambling habit rear their ugly heads, and he struggles to leave behind his past with the Iranian mafia. Soon Behrouz and Oksana find themselves caught between the feuding heads of the Iranian and Russian mobs.

The film paints a dreamlike day in the life of Didion and California in the late 1960s, when the brilliant young journalist is hurtled from encounters with jailed Manson girls to protesting Black Panthers, and from Nancy Reagan pausing in a photo op to Vietnam War POWs — climaxing with an epilogue in a near-future California where an AI Joan encounters a dystopia beyond her wildest anxiety dreams.

In the treacherous frontier city of Samurai Town, a ruthless bank robber is sprung from jail by wealthy warlord The Governor, whose adopted granddaughter Bernice has gone missing. The Governor offers the prisoner his freedom in exchange for retrieving the runaway. Strapped into a leather suit that will self-destruct within five days, the bandit sets off on a journey to find the young woman—and his own path to redemption.

In the treacherous frontier city of Samurai Town, a ruthless bank robber is sprung from jail by wealthy warlord The Governor, whose adopted granddaughter Bernice has gone missing. The Governor offers the prisoner his freedom in exchange for retrieving the runaway. Strapped into a leather suit that will self-destruct within five days, the bandit sets off on a journey to find the young woman—and his own path to redemption.

Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.