Berlin, 1990. At the invitation of his actor friends, who have already lived abroad for many years, Max, a Polish theater director, comes to Berlin. They begin to work together. They try to realize their dream: to stage a play, the staging of which was prevented by the imposition of martial law ten years earlier. The way they raise funds (selling pieces of the "historic" wall) and struggle against the heartless machinery of bureaucracy forms the axis of the film. In their efforts, the four protagonists are assisted by Regina, a translator familiar with local customs and practices. The film deals with the problems of artists in the new, commercializing reality.

Years later, Lena returns to Poland, accompanied by a French journalist, to learn the truth about her father.

Izabella, a beautiful young woman, works at her aunt’s shop in a small town in Poland. She uses her hands to create unique small objects for the shop, but in the night she has the strange habit to feed bats.

Teenager pretends to be mentally ill to get away from a reformatory.

Well-known fencer Paweł Kaczmarek makes an important decision in his life – he decides to quit drinking. Unexpectedly, he receives information that his ex-wife is staying in Austria with his child. He immediately sets off for Austria, finds Anna's apartment, and kidnaps his own son.

When confronted by her most private desire at her grandmother's funeral, a young Polish-American woman struggles to navigate her truth and her familial pressure to conform.