René Dary | WatchedThis
René Dary
Acting
Biography
René Dary (19 July 1905 – 6 October 1974) was a French film actor. Dary began his career as a child actor. Young Clément Mary, as was his original name, was born 18 July 1905 in Paris 6th arrondissement. He got his chance in the Spring of 1910 when he was only five. His father Abélard Mary had put in his head to go and promote himself and his two young kids as extras at the Gaumont studio. Mary, who had been an actor, had become a rundown clown in bars because of his gambling and kept things going with some furniture trade. He had set his hopes for his kids, and gambled well this time, as they were all hired for a peplum, Les Derniers Jours de Babylone. Young Clément's native playfulness, his histrionic acting making him older than he was, his borrowed street talk, and his ease on the set to charm everyone, from actors to technicians, soon began to attract the attention of producer-director Louis Feuillade. Feuillade tested him and designed a whole series around him, the Bébé series. All in all Mary would play in 74 Bébé comedies between 1910 and 1912, according to Braquet (76 between December 1910 and February 1913, according to Lacassin, while IMDb lists 73 titles), such as Bébé apache, Napoléon, Bébé et les cosaques, Bébé en Maroc etc. Feuillade permitted little Mary to do anything forbidden at home. Often his character would be a spoiled brat, have impossible tantrums and pester all adults around him, but he could also help children and old people in distress, showing his good heart after all. Often his mother would be played by Renée Carl, a leading Gaumont actress in her own. And often the child was placed in adult situations, as millionaire, marriage candidate or underworld 'apache'. For over two years Bébé was the best known child actor worldwide. The extremely good box office made papa Mary wealthy too, but his money hunger caused also the downfall of his son. Abélard bought a small cinema in Ménilmontant and called it Bébé-Cinéma, counting on a franchise by Gaumont to show his son's films. This was the limit for Feuillade, who was already fed up with the pretense of the father's self-promotion as his son's manager and his continuous demands for raises for his son. Besides, Clément was reaching an age where his cuteness as child actor was passing. Already mid-1912 another young kid had been picked up in Belleville, near the studios, and had started as supporting actor to Clément in the film Bébé adopte un petit frère, but replaced him completely in March 1913 (February 1913, according to Francis Lacassin) under the character name of Bout-de-Zan (a name he already wore as Bébé's co-actor). Abélard went to court against Gaumont. The court ruled that the breach of contract was just, but also that Mary was allowed to continue acting as Bébé at Pathé's subsidiary Eclectic Films, and he did so until 1916. Yet, it was no competition for Gaumont's Bout-de-Zan. As Abel mentions, Bout-de-Zan was more plebeian while Bébé was 'au fond' bourgeois as type. Still, in the end Poyen did some 50 films for Gaumont, less than Mary.
Filmography Movies
Acting
Risky Business
A teenage girl accuses her primary schoolteacher, Jean Doucet (Jacques Brel), of trying to rape her. The police and the mayor investigate, but Doucet denies the charges. Two other students come forward to reveal more of Doucet's misconduct – one confessing to be his mistress. Doucet faces trial and hard labor if convicted.
Bifur 3
Two hitch-hikers are on the way to Marseilles pursued by her husband.
Touchez Pas au Grisbi
Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.
Operation Diplomatic Passport
The daughter of a foreign diplomat in Paris is courted by two men. One of them entrusts her with a harmless commission for Poland, as she has a diplomatic passport. But it's a trap, and the girl is forced to work for Eastern spies.
A Certain Mister
Documents relevant to National Defence have been concealed in a certain vase by a dangerous gang of robbers. To neutralize the criminals, a seasoned police commissioner and his clumsy assistant, young inspector César, join forces with a colorful trio of thieves nicknamed Le Pouce (Thumb), L'Index (Index Finger) and Le Majeur (Middle Finger)...
The Fugitive
Fred Maubert, an innocent convicted of a crime he did not commit, escapes from prison and goes in search of the real culprit. He begins by looking for his former mistress, Simone, who has since married Doctor Bréville and lives in Canada.
Eight Men in a Castle
The Paladines write crime novels together. In a cinema, they happen to see a report on the consequences of a shipwreck in which Lieutenant Dupuis tells about the death of an old man in the lifeboat carrying the survivors. Husband and wife agree that this could be the starting point of a new story and go and see Dupuis to get more details about the drama. When they come to his hotel Dupuis is dead with a bullet in his head. Police characterizes the death as suicide but Paladine has found a train ticket in the dead man's pocket. With his wife he takes the train to the specified destination, somewhere in the provinces...
Sidonie Panache
In 1842, during the conquest of Algeria Sidonie Panache disguised as a Soave runs away with her lover who is doing his military service there.
Hélène
Helene is based on Helene Wilfur, a novel by Vicki (Grand Hotel) Baum. Madeleine Renaud essays the title role, a young medical student in love with aspiring musician Pierre Regnier (Jean-Lous Barrault). Pierre's father, a noted surgeon, puts pressure on his son to give up music in favor of medicine. Unable to withstand his father's remonstrations, Pierre kills himself, prompting the grieving Madeleine to forget all about romance and dedicate her life to the cause of healing others. Wilfur avoids the usual soap-opera goo by offering realistic performances and credible dialogue (the English-language subtitles were composed by erudite film critic Herman G. Weinberg).
À nous deux, madame la vie
Two bank employees like Lucie, their colleague. They steal money from the cash register to gamble. Jean wins and Paul ends up in prison for five years. When he leaves, he discovers that Jean has become a businessman and that he has married Lucie.
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