
Acting
Rehman was an actor in Hindi and Indian films. He was born on 23 June 1921 at Lahore. He graduated from Robertson College Jabalpur. After college (1942) he joined the Royal Indian Air Force and trained at Poona as a pilot. Air Force didn't appeal to him and soon left for a career in films at Bombay. He is best known for his suave sophisticated roles, which suited his personality. His movie career started with a job as third assistant director to Vishram Bedekar at the studios in Pune. Vishram needed an Afghan who could tie a Pushtun turban on one of his characters. Rehman could do that being a Pushtun by race, and that brought him to the screen for some lead roles. Initially he played lead roles, as time passed and his hair turned grey, he accepted character roles and made his mark in some hit films; Chaudhvin Ka Chand and Sahib Bibi Aur Ghulam (where he played a debauched zamindar, Chhote Sarkar), Waqt were some of his memorable roles, the first two with Guru Dutt.' famous actor, producer, director. He was a regular in Guru Dutt films ( Pyaasa). They were old friends from the days they were trying to break into films. Rehman also did key roles in 'Baharon Ki Manzil', 'Gomti ke Kinare', 'Dushman', 'Holi Ayi Re'. Rehman received four Filmfare nominations as Best Supporting Actor for: Yahudi (1958), Chaudhvin Ka Chand (1960), Sahib Bibi Aur Ghulam (1962), Dil Ne Phir Yaad Kiya (1966). In 1977, he suffered three heart attacks after which he got throat cancer and died after a prolonged and painful illness in 1979. Rehman is the elder brother of Masood-ur-Rehman, cinematographer, Pakistan Film Industry. Masood is father of Pakistan TV and film star Faisal Rehman(Arman)., and celebrated Indian classical dancer Fasih-ur-Rehman.

A businessman's family is torn apart by an earthquake and reunited years later in a courtroom where father and sons stand opposed in the roles of accused, lawyer, and witness.

A debauchee Zamindar greatly neglects his wife. The decadence of the Bengali Zamindar milieu in the late 19th century, seen through the eyes of a young upward mobile rustic seeking fortune in Calcutta, fascinated by the lonely lady of the house.

Reeta Mehra gets a job at a department store to support her ailing mother. After she refuses sexual favours to an important business partner, her boss Sohanlal has her framed for shoplifting. When Reeta gets out of prison, her mother has died. She meets Heeralal, who has also been cheated by Sohanlal, and together they work out a plot for revenge. Reeta is to marry Sohanlal's son and then reveal her history, disgracing Sohanlal's name. Things quickly become more complicated than anticipated.

Kusam Desai moves from Pune to Bombay with her new husband and family friend Vimal, who does not live up to her expectations. After discovering Vimal's love with Sapna, they must use the Hindu Marriage Act of 1955 in order to obtain a divorce, which is culturally stigmatized.

The poet, Ravi, haunted by the memory of his former lover Naina is drowning his sorrows in alcohol when he meets Jyoti

Parvati seeks to heal the breach between her husband and his mother

Ram is a bright but destitute law student. Out of love for an even poorer girl, he commits a crime that starts chasing him like a ghost. He is torn between 'wanting a punishment' and 'getting away with it.' But, is it really in his own hands?

Shyama (Suraiya) gets a job as a servant so she can pay for her younger sister, Kiran's (Geeta Bali) education in the city. Kiran, though, is in love with a rogue, Ajit (Pran).

Nawab sees Jameela in a market and instantly falls in love with her. The situation gets complicated when Aslam, his childhood friend, also ends up liking her.

J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she recovers, she and he fall in love; get married in a small marriage ceremony, have a daughter, and thereafter differences arise to such an extent that they decide to separate. Years pass J.K. and Aarti meet again when she is an established politician, both are still attracted to each other, but she does not want her name to be tarnished and stigmatized as a "separated" woman.
