This searing drama from director Caroline Kamya follows three Ugandans as they struggle through the violence and corruption of their society, including the story of a maid (Rehema Nanfuka) forced to bribe crooked cops in order to free her sister. Other threads include a hip-hop dancer (Philip Buyi Roy) who tangles with an underworld crime lord and a former child soldier (Stephen Ocen) who journeys home to his war-torn village.

As word spreads that there is a serial killer at large who continues to commit murder, an off-duty police officer must return an elderly witness who lives in a remote part of Uganda back to town. Along the way, the policeman gives a ride to an injured man. On the way to the city, the passenger tells the policeman the events that led him to end up injured in the middle of the road. But as we travel with these mysterious characters in the car, director Loukman Ali shows us that the stories they tell are only fragmentary and partial versions of the events that took place, and that perhaps there are truths buried beneath each of their words.

An unexpected love affair is formed at a taxi stop in Uganda and is forever changed by a wardrobe choice.

Almost all the men in the village have left for greener pastures in Europe. A bride is torn between two possible futures. Through the support of her maid of honour, she navigates her past love and pending commitment.

Hugo Winter, a roguish American drug smuggler, travels to Uganda in an attempt to export a large amount of Bulu, a sacred herb that grants the user visions of their future. Upon arriving in Kampala, he soon discovers that his only means of achieving this is through two sisters with competing agendas, born-again Kisakye and rebellious Angela, who come from the remote village of Makaana where the Bulu is grown. As they lead Hugo deeper into the jungle and further into their web of deceit, it is unclear if his drug-addled prophecies are helping his quest or clouding his future.