Agate – the older and well-off partner of Matiss and the mother of ten-year-old Paula dies unexpectedly. It becomes a devastating blow for Paula and a grand possibility for Matiss, a charming novice bailiff assistant and a cheating boyfriend, to “upgrade” his social status with Agates splendid house. Matiss and Paula are stuck together in order to find the only relative left – the missing brother of Agate. This journey leaves irreversible footprints on both of them.

The Estonians and Latvians join hands in this jointly produced Baltic comedy about love and theft centering on light-fingered Margita. Everything and anything that hasn't been nailed to the spot winds up in her possession - whether it's a wallet belonging to a passer-by or a Jeep. But the police are on to her and the streets of Riga are becoming just a little too dangerous for Margita these days (played by rising Latvian star Rezija Kalniņa). She decides to break camp and hitchhike her way up north coming to rest at a little place called Vineeri in Estonia, where she soon finds herself looking after an entire household, including three men and a small boy.

A young guy from impoverished family moves to the big city and by unlikely chance falls in love with a girl who has a wealthy father. When planning their wedding, he asks his father-in-law for a significant amount of money and decides to keep a part of it for himself. To have the wedding on the cheap, he hires inexperienced wedding organizers and asks them to make it look as posh as possible for the low cost. His plan ultimately backfires when the organizers overdo it.

TUR [ There ] - drama about relationships in virtual an physical world - blending boundaries of both worlds.

Adam’s first wife Lilith is mentioned in the ancient Oriental legends, in Talmud and in the medieval books of Cabala. According to these sources, she was not created from Adam's rib like Eve but from clay like he himself. Nevertheless Lilith was not recognised by Adam as his equal and left him after a quarrel heading for Babylon. She has no soul, and she is immortal. Lilith assumes different names, can change her appearance, and takes possession of men against their will. Once it's accomplished, she leaves her victims forever, marking them for either spiritual, or physical death. Whatever she does it is neither Good nor Evil. She is made of an altogether different matter. Inspired by the works of French writer Anatole France, Yevgeny Pashkevich‘s GULF STREAM UNDER THE ICEBERG consists of three dramatically interwoven stories with the immortal Lilith stalking through time and space with her demonic mission.

The characters of the movie are closely twisted. Each of the heroes is a slave to their own passions. Only through strong will and some happy event they will be able to free themselves from their addictions.

An awkward young man adopts the online MYSPACE identity of his friend, a popular journalist, in order to attract a woman who he otherwise feels would be out of reach. He succeeds and after corresponding with the girl for some time, he travels to meet her, all the while impersonating his friend (whose picture is rarely published with his articles). Surprisingly, when he finds her, she is living with her boyfriend and claims to have no MYSPACE identity at all. It seems the recluse neighbor of the girl has hijacked her online identity also. Intrigue and moral corruption ensue as this case of stolen virtual identity leads to disaster for both the imposters and all those involved.

After falling out with his girlfriend, Pauls, an employee of an advertising firm, starts spying on Sandra, a woman who lives across the street. As Pauls’ obsession with Sandra deepens, he becomes a witness to her murder.

The film combines three short stories: Der Mond, "Tristan und Isolde" and "Aida". The themes of these short stories are sin, duty and love.

Alice von Trota returns to her father’s manor in Latvia in 1919 to sell it and start a new life. She meets the hostile resistance of the local workers and discovers she has been lured into a carefully tailored trap set by a demonic lawyer, a decadent underground organisation and its necrophile leader. While escaping the clutches of her “helpers”, she meets some silent-cinema enthusiasts and learns to use the cinematograph as a tool for healing and self-discovery, as a weapon against her enemies and as a way to create a masterpiece.