
Acting
From Wikipedia, the free encyclopedia Reginald Purdell (4 November 1895 – 22 April 1953) was an English actor and screenwriter who appeared in over 40 films between 1930 and 1951. During the same period he also contributed to the screenplays of 15 feature films, and had a brief foray into directing with two films in 1937. Purdell was born in Clapham, London. As a young man he served in the British Army with the South Wales Borderers regiment for the duration of the First World War. On returning to civilian life after the war, he decided to try his luck as an actor and gained experience on the stage through the 1920s. His move into films in 1930 coincided with the advent of the talkie era in British cinema. Purdell's first screen appearance was in the 1930 comedy The Middle Watch, in a role he would later reprise in a 1940 remake. He next travelled to Germany to feature in historical drama Congress Dances, an ambitious and lavishly budgeted project by the UFA film company, involving the simultaneous filming of three versions of the same story in German, English and French in an attempt to prove that a European company could challenge the dominance of American studios in the new era of sound by delivering a continent-wide hit. Purdell soon began to accumulate screen credits in a wide variety of films ranging from cheaply made quota quickies to more sophisticated productions. He showed a knack for playing comedy, and his 1930s films fell mainly into this genre, with occasional ventures into straight drama and thrillers. Purdell's screenwriting career began in 1932 and he was most productive in this field during the late 1930s, with only occasional ventures later in his career. He tried his hand at film directing in 1937 with two comedies Don't Get Me Wrong, a Max Miller vehicle co-directed with Arthur B. Woods, and Patricia Gets Her Man. Both films were reasonably well-received, but Purdell appears to have decided that directing was not for him, as there would be no more ventures in this area. In the 1940s Purdell's acting career diversified, with fewer throwaway comedies and more appearances in high-quality dramatic vehicles. His credits included war dramas We Dive at Dawn and Two Thousand Women, Gainsborough melodrama Love Story, notorious box-office flop musical London Town and the classic Brighton Rock. Purdell's last screen appearance was in 1951 and he died on 22 April 1953, aged 57.

Poor New York shop girl Nadina receives the unexpected news that she is next in line to be queen of an Eastern European country. On her arrival in Ruritania, a revolution is in progress, and only minutes before her coronation, Nadina is forced into exile. She flees to Paris with her nurse, and then travels on to Switzerland. There Nadina encounters the Ruritanian revolutionary leader Carl, recuperating from the trials of revolution, and the couple unexpectedly fall in love. When the revolution collapses in Ruritania, they return and marry, thus forming a constitutional monarchy supported by all the people.

During the Second World War, three downed English airmen hide out with women's internment camp in France.

A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high-society entertainer.
'Comedy concerning a bank clerk who uses his inheritance to fund a serious drams which, ironically, succeeds as a burlesque.' (BFI)

Jeckie Farnish is a level-headed young woman, unlike her spoiled younger sister, Rushie. When the sisters become involved with charming businessman Charles Mortimer, the resulting tragedy leads to a lust for revenge on Rushie's part. However, Jeckie knows that she can always turn to reliable Joe Bartle in times of need.

Based on real events, this historical drama is set in 19th-century Ireland, when poverty-stricken tenants dispossessed by greedy landowner Capt. Boycott (Cecil Parker) band together to assert their rights. Patriotic farmer Hugh Davin (Stewart Granger) leads the rebels. Choosing nonviolent resistance, the villagers ostracize their nemesis, who squanders his fortune to repair his ruined reputation and wagers what's left on a horse race.

After discovering that she has only a short time left to live, concert pianist Lissa travels to Cornwall for the final fling of her life. While there, she falls in love with young mineral prospector Kit, a man whose dark secret prevents him from fighting in the War. Unbeknownst to Lissa, however, Kit's affections are also much in demand from a rival of hers.

The Huggett family go to a holiday camp, and get involved in crooked card players, a murderer on the run, and a pregnant young girl and her boyfriend missing from home.

A kindly shop owner whose overwhelming gambling debts allow a greedy landlord to seize his shop of dusty treasures. Evicted and with no way to pay his debts, he and his granddaughter flee.

Handsome Italian laborer Kieron Moore works as caretaker of the Neopolitan villa inherited by plain-Jane Englishwomen Margaret Johnston and Dulcie Gray. Johnston is swept off her feet by the raffishly charming Moore, and before long they are wed.

While working at a circus, a man hypnotizes a trapezist to kill her partner.

An adaptation of Jerome K. Jerome’s classic story charting the comic misadventures of three friends – and a dog – as they take a boating holiday on the Thames.

When a wealthy newspaper proprietor passes away, his crooked business partner moves to secure the deceased's fortune by substituting a false will. But 'Corona' Flanagan is onto the fraudster, and his efforts to unmask the villain see him popping in and out of jail – which isn't all that bad, since the governor is an old friend of his – and dressing up as a Russian countess...

When a pretty Wren faints in a crowded train, Private Bud Flanagan and Captain Ches Allen are quick to render first aid. But over Bud's head, a heavy kitbag wobbles; it falls and scores a direct hit, knocking him unconscious. What follows is a dream sequence involving Ches, the Wren and Bud himself in a series of hilarious adventures as well as a magical medley of the duo's best-loved musical numbers!
'Shopgirl posing as film star loves porter posing as artist.' (British Film Catalogue)
Two criminals are reformed when they meet and fall in love.

Don't Get Me Wrong is a 1937 British comedy film co-directed by Arthur B. Woods and Reginald Purdell and starring Max Miller and George E. Stone. It was made at Teddington Studios with sets designed by Peter Proud. Unlike several of Miller's Teddington films which are now lost, this still survives. Miller plays a fairground performer who meets a professor who claims to have invented a cheap substitute for petrol. They team up and persuade a millionaire to finance them to develop and market the product, while unsavoury elements are keen to steal the formula and try all means to get their hands on it, involving slapstick chases and double-crosses. It then turns out that the miracle fluid is diluted coconut oil, and the genius professor is an escaped lunatic. The millionaire finds himself taking the brunt of the disappointment.
An amateur detective tracks down a gang of diamond thieves to Chinatown.
Crime comedy sequel to The Vulture (1937). Amateur sleuth, Cedric Gull, takes on another case.
“Comedy of a little man forced by chance into a big jewel robbery.” - BFI.
