A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

Alba and Martín embark on a trip to the southeast of Spain. They make a stop at an isolated farmhouse in the middle of the desert, whose esplanade is full of furniture and objects for sale. As they silently observe these relics belonging to broken relationships, they perceive the nostalgia for a feeling already exhausted, whose last throes show them that their journey is a flight forward.

On October 30, 1988, the businessman Emiliano Revilla had been kidnapped by ETA for 249 days. After more than eight months of captivity, hopes of liberation were increasingly scarce and very few journalists were still standing guard at the employer's house. María José Sáez, a young editor, formerly of the EFE Agency, was the only one who was close to the house on the night of October 30th.

A priest, tormented by his past, warns some students of the consequences of the practice of "QUI-JA". For this he shows them a series of tapes.

Adela has just settled in Madrid with her father, Claudio, a retired concert musician and a hermit. Both teach piano to small children in a quiet, sparsely-furnished flat in the centre of town.

A cleaner woman with vocational street dancer tries to recover her long-stranded son that she gave for adoption, a former CEO who lost everything, including his memories.