Salem 1692. The young Abigail, seduced and abandoned by John Proctor, accuses John's wife of being a witch in revenge. A series of tragic trials soon befall Salem as fear and suspicion blur the lines of reality.

Returning late from a romantic date, a man searches for every possible and unimaginable excuse to explain his lateness to his wife. His guilt turns on him when he finds out she's not home. The character created by Sasha Guitry in 1915, eaten away by jealousy, then imagines all her adventures.

Nick, a Parisian businessman, divorces his rich American wife, marries his new secretary Marie, but is prevented from success in France so travels without his wife to an African outpost. He tells his young assistant Gilbert about his wife. When Gilbert takes sick and returns to Paris, he begins to fall in love with Marie.

This puzzling experimental film is written and directed by Raymond Rouleau, who uses effects like changing color tones and masks to put across a drama within a dance drama. The set is a sound stage and the actors in this film are dancers on the stage, performing a mime-ballet derived from one particular legend. Both the enacted legend and the actual events affecting the dancers are parallel. The lead dancer Isa (Ludmila Tcherina) is still nursing her wounds after her first love left her to stand alone at the altar. Now one of the dancers wants to expand his relationship with Isa -- and soon after, the cad who jilted her suddenly shows up again. Tragedy follows closely behind.

In the forest, knight-errant Hans meets and falls in love with Ondine, a water-sprite who is attracted to the world of mortal man.

Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.

A new governess arrives at a country house to take care of two seemingly angelic young children. But she begins to suspect that the house is haunted, and that the ghosts mean harm to the children.

Prosecutor Maillard can rejoice: he has just obtained the death sentence of an accused accused of murder. It is the third head he gets at the assizes. There followed an evening of rejoicing with his wife and friends, including the prosecutor Bertolier. The latter's wife is Maillard's mistress. The lovers left alone, the condemned man, Valorin, burst into the room. He managed to escape during his transfer to the remand center. Valorin immediately recognized Bertolier's wife. And for good reason: at the time of the crime, they were together in a brothel. Stunned by the miscarriage of justice he has just committed, Maillard then tries to rehabilitate Vallorin while trying to avoid a scandal in the judiciary. He then calls Bertolier to the rescue. Valorin is opportunely killed "accidentally" and ... everything will go back to "order".