This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl. The film recounts the rise of her career from a dancer, to a movie actor to the most important film director in Nazi Germany who directed such famous propaganda films as Triumph of the Will and Olympiad. The film also explores her later activities after Nazi Germany's defeat in 1945 and her disgrace for being so associated with it which includes her amazingly active life over the age of 90.

This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl. The film recounts the rise of her career from a dancer, to a movie actor to the most important film director in Nazi Germany who directed such famous propaganda films as Triumph of the Will and Olympiad. The film also explores her later activities after Nazi Germany's defeat in 1945 and her disgrace for being so associated with it which includes her amazingly active life over the age of 90.

At the age of 97 Riefenstahl returns to Sudan for one final farewell to the Nuba that she lived with for 8 months and photographed and filmed extensively. Müller documents her return after 23 years away and her reaction to the collapsing culture that she once celebrated so avidly in her photographs.

The story takes place in the 1960s, when computers were still big and scary. Nevertheless, this is not about yesterday's technology, but much more about the technology of the day after tomorrow. Ray Müller has incorporated the current problems of chip researchers, especially the question of artificial intelligence, into the topic.

The story takes place in the 1960s, when computers were still big and scary. Nevertheless, this is not about yesterday's technology, but much more about the technology of the day after tomorrow. Ray Müller has incorporated the current problems of chip researchers, especially the question of artificial intelligence, into the topic.