Jan Uuspõld is a talented actor who is not up to scratch due to his problems with alcohol. He makes up his mind to stop taking clownish roles and accepts a serious part in a play at Vanemuise theatre instead. His journey from Tallinn to Tartu becomes an unusual and in a way exaggerated voyage depicting the life and mentality of contemporary Estonia through various human natures, attitudes and ways of thinking.

A music critic Hugo, suffering from post-divorce depression, is just about to rebuild his life when his jazz musician father Raivo arrives at his door unexpectedly. Spiteful old man announces that he will soon come to his end and expects his only son to take care of him. When an attractive psychotherapist enters the men’s lives, the father and son duo begin to compete for her attention. The old prankster manages to create a number of embarrassing moments in an effort to ruin Hugo’s romantic plans. Andres Maimik’s and Katrin Maimik’s tragicomedy is an exploration of forced closeness, a pursuit of happiness and a road to forgiving through laughter, suspense and tears.

"Rock'n Roll Baltica" Live music from the Baltic countries.

When actor Jan Uuspõld has to film a promotional video for his summer fling Brita’s beauty salon, his wife calls him and lays down the law: he must come home and earn back all the money he has squandered. Since Jan always does what women want, he begins searching for a way out of the tricky situation. The solution seems to be participating in a remake of a film about his life. Unfortunately, the director decides to sideline Jan due to his poor public reputation. Left with no other choice, Jan embarks on a summer tour starring himself. But, as always, life happens when you have the best intentions. On his long journey home, Jan encounters a sex guru, men’s rights activists, manic fans, and even the Creator himself. He is both humbled and exalted, leading him to discover something within himself that he never knew was there.

Freddy Grenzmann is Estonia’s last rockstar and the singer of a punk-rock band called Psychoterror. And a poet. The phenomenon of a rockstar stands outside of normality – is bigger than life. Recognizingly what we can say about Freddy, is that he is not normal – not on stage, nor in life. Freddy’s creation and life are equivalent – he puts everything out there. What makes Freddy interesting is not the social or textual play, but the ammount that he puts in. Possibility of total loss of self-control and the depth of a predictable human or metaphysical agony. This is the story of the last real rockstar and poet, his work and of a punkbands anatomy.