Four young adults of different backgrounds and social standing are destined to come together and affect one another's lives. They fall in love but not without the problems that cause their separation.

Jose Javier Reyes' dramatic thunderbolt from Regal Films, "Bayarang Puso" which stars Aga Muhlach, Lorna Tolentino, and Carmina Villaroel is a movie about decadence and materialism set against a backdrop of the most recent leisure class craze, ballroom dancing. Although the film makes obviously wild pirouettes around this very interesting subject-dance instructors and their willing and able clientele and whatever relationships they have in between- it is in fact an intriguing drama about love, avarice, and betrayal.

A young couple's marriage is tested when wife is consumed by her career, and husband finds solace in his son's teacher.

An author, whose marriage is on the rocks, meets his literary idol, his neighbor. He soon begins to have an affair with his idol's daughter. But when their secret is discovered, more revelations are yet to explode.

Nanay Xedes runs her whorehouse with an iron fist and expects her employees to obey her rules — the most important of which is that her pimps and prostitutes can never be intimate with each other.

Inseparable as siblings, Jeff and Kat grew up very close to each other through thick and thin. Kat being overzealous and very wary of girls who likes her brother Jeff. Her Kuya simply means the world to her. Years later, Kat is all grown-up and lovely, and soon awaits her Kuyas return after four years of hard work from abroad. But all this excitement of a sibling reunion is foiled at the airport upon sight of Heidi, Kats worst nightmare and her brothers fiancée. Fueled with envy, Kat embarks on an all-out scheme to pull out all the stops to their impending wedding with the help of her gay bestfriend of all seasons. However, as Kat schemes to freeze the marital icing off her siblings cake, she finds herself falling for the charms of an evicted reality show superstar - Aris who happens to be Heidis brother. As she desperately clings to her last semblance of family, her Kuya Jeff, will Kat be able to stop this bridezilla from snatching away her only Kuya in her life?

Tucked away in a remote forest, the convent of Adoration is inhabited by a group of nuns seeking a peaceful life of devotion and discipline, filling their days with nothing but mundane chores and prayers. But the wish for a life in isolation is threatened when President Ferdinand Marcos declares martial law, and political protests and chaos begin to infiltrate every corner of the archipelago. Suddenly, the nuns find themselves engulfed in violence and unrest that will eventually put their faith and conscience to the test.

The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.

The eve of Christmas, the Aguinaldo family’s residence is burglarized, causing its members to identify stolen items and uncover lingering sentiments they have hidden from each other. Amidst the tension brought about by the burglary, the Aguinaldo family realizes how treasured sentiments have been lost, relationships have evolved as they arrive from church at a house in shambles.

The once illustrious Lopez-Aranda family has faded. Celia, once the darling of Philippine opera, and Gaspar, a distinguished ex-congressman, lacked the shrewdness to maintain their once elegant status. Saddled with a failed marriage, a vanishing career and mounting debt, Celia sold her share of their house to Gaspar, now bedridden. She managed to stay for free in exchange for being Gaspar’s caregiver. Gaspar loves listening to Celia’s arias. This idyllic arrangement is shattered when he slips into a coma. His daughter, Raquel, comes home from the US, determined to sell the house to salvage her own economic woes abroad. This signals Celia’s impending homelessness. With only a few heirlooms to sell, she is at her wits’ end. A fervent believer of the Sto. Nino, she hopes for a miracle. She dresses up her grandson, Antony, in Sto. Nino robes to prepare him for the coming fiesta.