A prodigy of stringed instruments, a pioneer of Bossa Nova, a modernizing master of the guitar: Aníbal Augusto Sardinha, better known as Garoto (1915-1955), is one of the hidden pillars of Brazilian music. Woven by rare archival material, personal diaries and testimonies, this documentary reveals his influence and the artistic conflicts of an avant-garde artist in the golden age of Brazilian radio.

The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style.

“Naked Eye” is a film-documentary of long-length of the artistic and existential universe of the singer Ney Matogrosso, which proposes to recreate through archive’s images in counterpoint with the current production of the artist, thirty-five years of career marked for inventive and transgressing spectacles, always symphonize with its time. Through a coherent boarding with its intransigent trajectory, the film intends to translate the language musical-corporal of Ney Matogrosso, trying audiovisuals resources that express signs evoked poetical politicians and in the repertoire of the singer. A film-song that that looks for to, ultimately, embody the voices of an artist who searches for a nation.

The impact of Ney Matogrosso's performances on his audience and the reverberation of that impact on Brazilian culture, from the second half of the 20th century to the present. An audiovisual anthology, all composed of archival images. The best way to get to know Ney is to be with him on stage.