Bruce Sweeney (Last Wedding) returns to the Festival with this neo-noir police procedural — set against the backdrop of economic hard times — about a failed real estate agent (Nicholas Lea, in a bravura performance) whose recent attempt to turn things around makes him a suspect in a criminal investigation. (TIFF)

Leslie is a single woman, approaching middle age, who lives with her best friend in the world, John, an Australian Shepherd. She has a strained relationship with her mother, Staci, with whom she has to bargain with in order to take care of John one afternoon. After hearing some mysterious sounds coming from the basement suite, Leslie discovers that her deadbeat ex-husband, Keith, has moved in "to lie low for a while". Keith refuses to leave until he gets what he feels is owed to him: half the value of the house that he never put a cent into. When he kidnaps John, Leslie is driven to do the unthinkable. It's Staci, drawing from her obsession with true crime podcasts, who cleans up the mess, and helps her daughter get back on her feet.

Liz, just returned home after a mental breakdown, has to welcome a relative stranger into her home when Caitlin, a young, vivacious woman, claims to be her husband's daughter.

On a weekend getaway at a rundown cabin in the woods, Jason, a cautious teen, his crude best friend Colin and his fearless older sister Summer are forced to work together, grow up and save their hard-partying parents from their predatory neighbor intent on feeding them all to her undead family.

A woman acting as a surrogate for her estranged sister is put in peril when it turns out that someone doesn't want the baby to be born. With a mysterious man tracking her every move, she must figure out who is trying to kill her... before it's too late.

Tom attends his estranged father's funeral only to find out that his father had been a spy all along, and his funeral is filled with spy villains from all shapes and sizes from his past.

A seductive teen becomes vindictive when her boyfriend tries to end the relationship.

In 1976, Canadian stuntman Ken Carter declared his intention to jump a mile over the St. Lawrence Seaway in a rocket powered car. In 2008, Canadian musician Mark Haney declared his intention to pay tribute to Ken Carter in the form of a concept album for solo double bass. In 2011, Canadian filmmaker John Bolton declared his intention to make a "musical docudrama" about both men. Aim for the Roses is a one-of-a-kind film, about a one-of-a-kind album, about a one-of-a-kind stunt, all three of which could only happen in Canada.