A man and a woman live in a clothes-cabinet, literally; they contemplate leaving, but never do. For a time only their voices are heard, until they try to have some light, and open the door. The Woman takes an almost maternal role, they share a sandwich and a cigarette, discuss the contents of the closet, and then The Woman wonders if there is any sexual attraction between them. The Man is too shy for that, or to leave the closet.

Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then caught shoplifting by Mary Woronov and is put on trial, with Tavel as the judge and her five ex-husbands the jury. Hedy remains self-centered and detached throughout, posing and primping and bursting out renditions of "I Feel Pretty" and "Young at Heart."

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.

Randy Bourscheidt, preppily dressed in a tie and tweed jacket, looks up and down, then shyly faces the camera, trying not to smile. He bites his lips, grins, relaxes, and then brushes the hair out of his eyes.