Randa Chahal Sabbag Movies, TV Shows, and Filmography
Randa Chahal Sabbag
Directing
Biography
Randa Chahal Sabbag (born 11 December 1953) was a Lebanese film director, producer and screenwriter. She was born in Tripoli, Lebanon, to an Iraqi mother and a Lebanese father. Though Chahal received numerous international awards, including the prestigious Silver Lion at the 2003 Venice International Film Festival, her body of work remains relatively unknown. Most subjects in Chahal's nine narrative films and documentaries dealt with encounters between the absurdity of war stories and the gentle bitterness of solitary, thoughtful characters. Known for their satirical tone and trenchant dialogue, her films have long been considered provocative. Around 40 minutes of her 1999 film Civilisées (A Civilized People), a black comedy about the Lebanese Civil War, were censored and thus the film was only screened once. Film critics began to recognize Chahal's work in 2003, when her feature The Kite won the Silver Lion award and several other prestigious prizes. That year, she received the National Order of the Cedar decoration in the grade of Officer from the country of Lebanon. Chahal died at age 54 in Paris, France, leaving one announced film unreleased.
Filmography Movies
Production
Souha, Surviving Hell
The film follows Souha Béchara’s return to her village, Deir Mimas, to the Khiam jail, in the very place where she tried to assassinate General Lahd. For Souha, surviving hell is a joyful, thoughtful, and liberating travel diary. The diary of a trip that, for a moment, let one believe in the possible reconciliation of our country.
Step by Step
Shot between February 1976 and March 1978, Step by Step compacts the chaos of the Lebanese civil war using archival images, news broadcasts, interviews, and raw documentary footage.
Our Heedless Wars
September 1994, Beirut : the systematic reconstruction of the city is beginning. The civil war, which began in 1975, has been over for two years. Randa Chahal Sabbag, a Lebanese film-maker whose family was politically and military involved in the conflict, gives a very personal view of these seventeen years of war. She uses archives, family videos and 16 mm films made between 1975 and 1994. The film features interviews with her mother in Tripoli, her sister in Paris and her brother in Beirut. She pays tribute to the memory of her father, who died during the war, and returns to the ruins of a city, the reconstruction of which marks the disappearance of a part of her life.
The Kite
A young 15 year old girl, Lamia, lives in a southern Lebanese village on the border with Israel. She is given in marriage to her cousin on the other side of the border. As Lamia crosses the barbed wire she also passes from childhood into adulthood, as brutal as our countries and the events that are to follow.
A Civilized People
Lebanese director Randa Chahal Sabbag spins this bleak war drama about the brutal absurdity of the urban warfare of Beirut during the 1980s. Opening with the shocking image of kittens being blown apart, the film loosely follows the travails of Bernadette (Nada Ghosn), a naïve country girl sent to the city as a maid for a mansion long since abandoned by the owners. There she meets Therese (Renee Dick), a veteran house cleaner who takes her under her wing. One day, while accompanying her friend to the cemetery, she meets a rakish Arab militiaman, and the two fall in love.
A Civilized People
Lebanese director Randa Chahal Sabbag spins this bleak war drama about the brutal absurdity of the urban warfare of Beirut during the 1980s. Opening with the shocking image of kittens being blown apart, the film loosely follows the travails of Bernadette (Nada Ghosn), a naïve country girl sent to the city as a maid for a mansion long since abandoned by the owners. There she meets Therese (Renee Dick), a veteran house cleaner who takes her under her wing. One day, while accompanying her friend to the cemetery, she meets a rakish Arab militiaman, and the two fall in love.
The Kite
A young 15 year old girl, Lamia, lives in a southern Lebanese village on the border with Israel. She is given in marriage to her cousin on the other side of the border. As Lamia crosses the barbed wire she also passes from childhood into adulthood, as brutal as our countries and the events that are to follow.
Sand Screens
A city emerges in the middle of the desert and dies in its richness. Women are doubly veiled, and freedoms are even more threatened. Sarah was born the day after the oil boom. She is part of the generation that believes it can get anything with the power of money, and that simultaneously sees its every desire thwarted when it conflicts with the strict laws of its country. She is unsettled by the triviality of her life and unsettles others through her beauty, and her will to push everything to its extreme. She fears not the desert, not the wind, nothing. Her thirst lies elsewhere: to leave the desert, which she hates, and in which she is kept against her will. She wanders the empty streets in her limousine, killing time on the phone, provoking strangers. Gradually, tensions arise in this desert, instilling a latent anguish interrupted by bursts of happiness, of ecstatic laughter, and of sensuality, until everything comes to a head.
The Infidels
The story takes place in an around Lebanon. It concerns Farid, a repentant Islamic fundamentalist and Charles, a French diplomat. Farid is prepared to give the French secret service a list of names of terrorists operating in France on the condition that they liberate a friend of his imprisoned in France. The deal is complicated by the fact that Farid and Charles are irresistably attracted to each other, which inflames great jealously in Charles' wife, Juliette, estranging the couple.
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