
Acting
Ramon Agirre Lasarte is an actor, comedian, writer and Spanish painter who has developed the vast majority of his work in his mother tongue, Basque. However, he has also participated in different international productions in other languages. He was born in the neighborhood of Amara, Donosti-San Sebastián. Although he studied architecture at the University of Valladolid and his hometown, after studying acting at the School of Dramatic Art of the Basque Government his working life has been linked to the field of performance since 1983. Among the most recognized films in which he has participated are Handia, winner of ten Goya Awards in 2018 and the San Sebastian International Film Festival Award, as well as others such as Amour, a film directed by Michael Haneke who was awarded the Palm gold at the Cannes Film Festival in 2012, and the hit The Day of the Beast.

The same day that the Etxebeste Family are leaving for their holidays, they lost all their money. They have to keep up appearances in front of the residents, so they will hide them selves at home. During their stay at home the Etxebestes will throw each other miserys and lies but later they will enjoy the best holidays in their life.

In a last era, in an imaginary world dominated by shadows, three get conquer evil wizards and place in three boxes of Pandora. Every magician must save their life and protect each of the boxes containing: war, plague and famine. If the ghosts manage to break free, will open the gates of hell.

There are plenty of anarchists in the world. Many have committed robbery or smuggling for their cause. Fewer have discussed strategies with Che Guevara or saved the skin of Eldridge Cleaver, the leader of the Black Panthers. There is only one who has done all that, and also brought to its knees the most powerful bank on the planet by forging travellers cheques, without missing a single day of work in his construction job. He is Lucio Urtubia, from a tiny village in Navarra in North of Spain. Lucio, 75, now lives in Paris, still raising anarchist hell.
Arriya (La piedra) is a look at our time, our people ... a nod to hope from this stuck in the past, on the bus, in a heavy stone behind from the start of memory. Maria runs after Peru through the streets of the village with the beret that has lost on the road. The family of Peru and Mary seal a clash, a dispute, which accounts, on a journey of no return, the future of the village and its inhabitants. A mule, a horse ... And a stone, the stone

Ángel works as a forensic doctor in a medium-sized city. Abandoned by his partner, a psychiatrist friend and neighbor helps him, induces him to play sports, and directs him to a dating agency to solve his most pressing problem. This is how Ángel meets Bruno, a hustler in his early twenties , and Mavi, a prostitute with whom he maintains a friendly relationship. But in Bruno's past there is Guillermo, a former police officer who was his pimp until a conviction separated them...

After the Spanish Civil War breaks out, the Prado Museum is being evacuated. One of the guards finds a painting by the master, Goya, and takes it to prevent damage to the work of art. In the interim, he meets a young lady with whom he falls in love. Assisted by her and her family members, the soldier attempts to save Goya's masterpiece intact amidst the war and violence.
After the death of the last survivor of a multiple murder, which remained in a coma, a journalist is asked to make an infographic about the case. Her personal involvement with the event will give clues to unexpected connections that shed new research data.

On the birthday of the patriarch of the family, one of his sons decides to come out of the closet and test the tolerance of his nearest and dearest. But the surprises that he has up his sleeve do not end there.

A film crew travels to the Valley of Baztan to make a film about certain events that occurred in the seventeenth century is the history of discrimination suffered by so-called "agotes", people who were forced to live apart from the rest almost to our days.

Madrid, summer of 2010. Commissioner María Ruiz investigates the sinister crime of a young man. With no visible identity and no clues or apparent motive, María will begin an investigation that will become more and more complicated.

