2019. Lithuania. An unseen and unheard of virus catches a country unprepared. The country is quarantined and all life goes into the distance. Meanwhile, the ever-promising police investigator Meilūnas is dealing with a not-so-usual case - while the country is under quarantine, the wife of citizen Šlamštutis has disappeared. The investigation is conducted remotely. On the one hand, it is convenient to work remotely, but on the other hand it is very difficult to find a common language between the investigator and the suspects. Comic situations are just bursting at the edges, and then there's the wife, the innate modesty and the internal rivalry within the police force, which all get in the way of a good performance. Suspicious circumstances abound, the case stalls and even Santa Claus is on the list of suspects.

Soviet Lithuania in 1972. A young theatre actress is trying to make a difference and tell the forbidden story of repression in a play.

Artūras Orlauskas, who introduces himself as an event host on Facebook and is considered by some to be a comedian, has decided to go beyond his humour performances, fifties and weddings, and is now taking to the big screen. Together with the director Mark Goldman, who is hard to find on the Internet (because it can't be Mark Goldman), he brings us a comedy which, after several name changes, has arrived on cinema screens as Plus.

The story of a gang of children growing up in a community of banished criminals, in a forgotten corner of the former Soviet Union. This community rejects the world outside. The only law it obeys… is its own. Against this backdrop two best friends, Kolyma and Gagarin, gradually become fierce enemies as they find themselves on opposite sides of the strict code of honour of the ‘honest criminal’ brotherhood.