It is a tribute to the people who dedicated their lives to sharing their soul with beings who never had it. To those who gave voice and life to objects that had a lot to say. To tell stories recovered from oblivion. To the puppeteers who, due to their profession, could not be buried in cemeteries because they were considered soulless beings.

In an American desert town circa 1955, the itinerary of a Junior Stargazer/Space Cadet convention is spectacularly disrupted by world-changing events.

After the Turia River overflows its banks, journalist Olvido and police sergeant Fermín investigate the appearance of six bodies with strange scars that point to a dark conspiracy.

Alba is going to move out of the house she shares with Doña Hortensia as part of an exchange program between students and the elderly. Before she leaves, they celebrate the elderly woman's birthday, and that night the two of them discover each other's true intentions.

Eugenio is a puppeteer living anchored to a wheelchair. Ramon is a young assistant that helps Eugenio day to day and is complicit in his fantasy. Sarina is no longer what she used to be and wants to leave to return to whom she was.

Mara visits an old friend who lives in the Sierra de Irta, Vera, who did not expect this visit, is about to go to Valencia to spend the Easter holidays. When Vera leaves, Mara makes a strange and irrational decision: to occupy her friend's house for a few days.

Paula and Ramón are expecting a baby. Between nerves and excitement, they share ideas and conjectures about the child's future. However, what begins as an exciting fantasy gradually turns into something darker: the possibility that their baby will end up becoming a genocidal killer.

When a man is found dead, the investigation shatters his widow's perfect facade and exposes a hidden double life in this thriller based on real events.