Follows the present and past, and in a surreal environment where the motifs of Kazakov’s stories intersect. The hero can easily meet with Stalin or drink vodka with a homeless person in the basement.

The film tells about two elderly widows who live in the same house. They are united not only by tragedy, but also by common concern, namely the grave of two unknown soldiers, which they have been guarding for over 30 years. And suddenly the managers of their district decide to turn the grave into a memorial.

Based on the story of the same name by A.P. Chekhov.

A play about the life and death of Jean-Baptiste Molière, an artist tired of fighting the world.

Mikhail Nikolaevich Ermakov has come a long and difficult life path. At the age of nineteen, the student, the son of a worker, was sent on a Komsomol ticket to work in the Cheka. In one of the operations he was seriously wounded. And now, many years later, General Ermakov comes to Moscow and settles in the house where he spent his youth...

Katusha, a country girl, is seduced and abandoned by Prince Nekludov. Nekludov finds himself, years later, on a jury trying the same Katusha for a crime he now realizes his actions drove her to. He follows her to imprisonment in Siberia, intent on redeeming her and himself as well.

Prince Myshkin returns to Russia from Switzerland, where he was treated in a psychiatric clinic. On the train, on the way to St. Petersburg, the prince meets Parfyon Rogozhin, who tells him of his passionate love for Nastasya Filippovna, the former containment woman of the millionaire Totsky. In St. Petersburg, the prince finds himself in the house of his distant relative – Lizaveta Yepanchina (General's wife), meets her husband, their daughters, as well as the Secretary of General – Ganya Ivolgin. The portrait of Nastasya Filippovna, accidentally seen on the general’s table, makes a great impression on the prince...

Based on the play of the same name by M. Shatrov.

The film is dedicated to the heroines of Ostrovsky’s plays—wives, cooks, actresses, matchmakers. For the most part, these are composite characters, but many of them have real-life prototypes. The author was a keen observer and recorded everything interesting in his diary. This is how the gallery of images from his native Zamoskvorechye, where Ostrovsky was born, came into being. Later, after traveling along the Volga, portraits of residents from small towns along the river were added. Alexander Nikolaevich never overlooked the details. When the playwright described daily life, the details of clothing, or the manner of speaking of a character, the hero would literally come to life.