The true story of João Guilherme Estrella ("Johnny"), a young middle-class bon vivant who became a big-time cocaine dealer in Rio de Janeiro in the early 1990s.

In Rio de Janeiro in 1963, the story of several characters is intertwined in the midst of the political scenario of the time. One of them is Troy, a CIA agent residing in Brazil who plans a trap for the President.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

The meeting between two young guys, Marcelo —in the future, Marcelo D2— and Skunk , who sold t-shirts and cassette tapes in the center of Rio de Janeiro to survive, resulted in one of the most popular bands in Brazil in the 1990’s, Planet Hemp. Suppressed by a prejudiced society, the two made of their music a cry of alertness and resistance, conquering the hearts and minds of an entire generation.

A woman moves back, from São Paulo to her hometown Rio de Janeiro, to support her husband's job. On their new residence, she forms an unlikely bond with her young neighbor based on their past memories, sadness and loneliness.

In the 90s, Rio de Janeiro was shaken by a wave of kidnappings. Security forces call controversial agents to help save the city from thugs and also from the police itself.