Things go horribly wrong for Ola and her friends when she tries to help journalist Agata find an interesting subject for an article. Placing a personal ad in the newspaper inadvertently invites the attention of a dangerous person who's now stalking them all, apparently in desperation to know their blood types.

On the surface "The Swap" appears to parody a scene from a classic gangster film of covert dodgy dealings, yet Rosefeldt's manipulation thrusts it into contemporary reality. Set at a deserted container terminal, two rival mobs pull up in cars, about to perform the familiar briefcase exchange of concealed goods. Clad in leather, guns poised; Rosefeldt plays once again with our stereotypical expectations, luring the viewer into a sense of familiarity until an unpredictable turn challenges our perception and exacerbates seemingly subtle aspects of their behaviour.