Grandpa is about to turn 80. His son and grandsons begin a journey to his homeland, Huamachuco, a place he has not seen since he was 9 years old. Along the way they discover an unexpected past and the journey will become a path of no return.

Ella – well she has a name too – Luna (Patricia Garza), is actually about her much older husband and painter Alfredo (Paul Vega), and his choice of actions/reactions after she decides to leave him for a lover that he wasn’t aware of. Alberto has been going through a creative crisis and is under pressure to complete a series of paintings for a forthcoming show. It is nevertheless also plain to see that he’d been treating Luna, who’s also his model, largely as an object of desire and obsession – capturing with camera her every movement in the house when she’s not posing for him, and memorising her every physical feature, moles and warts included – he’d apparently counted twenty seven moles on her body. When Alfredo tracks down and entraps the lover she’d wanted to elope with (Rómulo Assereto), he’ll discover that they both have more in common than merely desiring the same woman…

Alejo, an archaeologist from Lima, Peru, travels to Newmarket, Canada, where his Peruvian family migrated years ago. It is his first time back in two decades and since the death of his mother.

They betrayed the mafia, to live they changed their identities, today after 20 years they are back as police undercover in the most dangerous Peruvian drug cartel.