The leader of the fast-track workers' party is appointed worker director of the unprofitable Lucie mine. The wrong decisions he makes to increase production at any cost and to fulfil an unrealistic plan lead to a catastrophe in which his son is accidentally killed. After overwhelming criticism, the failed director wants to quit, but the senior management and party authorities continue to have faith in him...

Juraj Herz adapts Bohumil Hrabal's story about a man who works in a junk shop.

When Dr. Hahn is found murdered in the hospital’s inspection room, investigators question several suspects: his colleague and longtime lover Dr. Marie Nováková (whom he cheated on with nurse Jiřina), the nurse herself, Dr. Petera (whose career he stymied), a senile patient named Zima, and the inept clinic head. As police sift through truthful and deceptive testimonies, complex professional rivalries and personal entanglements among the hospital staff come to light.

A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers. He only fails at the swimming pool. Zuzana (Jana Sulcová), the good-looking blonde, ignores the men whom the devil foists off onto her. She loves Honza (Václav Neckár) and the boy shares her feelings. The fiend is annoyed by the couple and tries to provoke a row. He sends heavy rain to force them into a hotel and then warns Zuzana's father by phone, but the young lovers manage to get out in time. Then the obstinate Asmodeus takes Honza in his sleep to the Institute for Emotional Disorders, where he shows him the ugly sides of love - hysteria, voyeurism, fetishism, suicide attempts...

In 1900, Stepha, the vivacious 30 year old daughter of a wealthy couple, agrees to marry her cousin Paul, who has accumulated large debts as an Austrian army officer. Paul refuses to work or to consummate the marriage, and then his health steadily declines.

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

Jealous of her vapidly "good" sister's popularity, poisonous Viktoria doses pretty Klara's tea with a slow-acting fatal substance. As the latter grows hysterically weak, the former finds success increasingly compromised by guilt, blackmail, and the pesky need to kill others lest she be exposed.